Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 17,Oplag 31995 |
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Side 82
... Russia , she received much more popular and official recognition than the Secretary General of the United Nations , Boutras - Gali , or the Grand Duchess Maria , the head of the Russian imperial dynasty with her son , the royal heir ...
... Russia , she received much more popular and official recognition than the Secretary General of the United Nations , Boutras - Gali , or the Grand Duchess Maria , the head of the Russian imperial dynasty with her son , the royal heir ...
Side 83
... Russian classics , and thus the romantic popular culture of the nineteenth century found a rebirth in Soviet Russia . Most recently a Mexican series , Simply Maria , with Verónica Castro , captivated Russian audiences in 1994. Moreover ...
... Russian classics , and thus the romantic popular culture of the nineteenth century found a rebirth in Soviet Russia . Most recently a Mexican series , Simply Maria , with Verónica Castro , captivated Russian audiences in 1994. Moreover ...
Side 102
... Russian revolutionaries Dziga Vertov and Sergei Eisenstein as models . Interestingly , this passing of revolutionary film culture from the Russians to the French is reversed in the earlier movement of revolutionary theatre from post ...
... Russian revolutionaries Dziga Vertov and Sergei Eisenstein as models . Interestingly , this passing of revolutionary film culture from the Russians to the French is reversed in the earlier movement of revolutionary theatre from post ...
Indhold
Views from the PostFutureSoviet Eastern European Cinema | 3 |
Jewish Identity in PostCommunist Hungarian Cinema | 24 |
Why Stalinist Musicals? | 38 |
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aesthetic Alexandrov American Aoi's appears audience Azhaev Bauer bourgeois British Film Institute camera Carnival Night cinema classical comedy context culture D. W. Griffith Dennis O'Rourke director discourse documentary dramatic editing Eisenstein essays example feminist criticism festival fiction Figure Film Noir film theory film's filmic filmmaker genre German glasnost Griffith Hart heroes heroine Holocaust Hungarian Hungary ideological interview Jewish Jews kolhoz Lahusen lesbian literary literature locate Lyubov Orlova Marina Ladynina melodrama Moscow myth narrative national identity novel O'Rourke O'Rourke's offers played political popular prerevolutionary produced prostitutes Pudovkin's readers reality relationship representation reveals revolutionary Russian satire scene screen self-reflexivity sexual shot social Socialist Realist Soviet Film Soviet Union Soviet woman specific spectator Stalin Prize Stalinist Stalinist musicals Starewicz story style television Thai tion Turovskaya University of Wisconsin-Milwaukee utopia Volga Volga-Volga Western Woman of Bangkok women York