Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 17,Oplag 31995 |
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Side 131
... O'Rourke really revealed here ? By the end of the first half of the narrative ( and even after it3 ) , O'Rourke has not appeared on screen . His “ locating ” narrative reveals neither his race nor his national origin : one can infer ...
... O'Rourke really revealed here ? By the end of the first half of the narrative ( and even after it3 ) , O'Rourke has not appeared on screen . His “ locating ” narrative reveals neither his race nor his national origin : one can infer ...
Side 135
... O'Rourke's presence may be actively shaping the content of the scene . Their subsequent conversation about the bars similarly implicates O'Rourke as an active participant . Whether or not the aunt knows that O'Rourke met Aoi in just ...
... O'Rourke's presence may be actively shaping the content of the scene . Their subsequent conversation about the bars similarly implicates O'Rourke as an active participant . Whether or not the aunt knows that O'Rourke met Aoi in just ...
Side 145
... O'Rourke is evidently astounded that his presence in , and relation- ship to , the film was not immediately clear . Perhaps for O'Rourke himself , his presence is obvious simply by virtue of the fact that " [ w ] ithout me there is no ...
... O'Rourke is evidently astounded that his presence in , and relation- ship to , the film was not immediately clear . Perhaps for O'Rourke himself , his presence is obvious simply by virtue of the fact that " [ w ] ithout me there is no ...
Indhold
Views from the PostFutureSoviet Eastern European Cinema | 3 |
Jewish Identity in PostCommunist Hungarian Cinema | 24 |
Why Stalinist Musicals? | 38 |
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aesthetic Alexandrov American Aoi's appears audience Azhaev Bauer bourgeois British Film Institute camera Carnival Night cinema classical comedy context culture D. W. Griffith Dennis O'Rourke director discourse documentary dramatic editing Eisenstein essays example feminist criticism festival fiction Figure Film Noir film theory film's filmic filmmaker genre German glasnost Griffith Hart heroes heroine Holocaust Hungarian Hungary ideological interview Jewish Jews kolhoz Lahusen lesbian literary literature locate Lyubov Orlova Marina Ladynina melodrama Moscow myth narrative national identity novel O'Rourke O'Rourke's offers played political popular prerevolutionary produced prostitutes Pudovkin's readers reality relationship representation reveals revolutionary Russian satire scene screen self-reflexivity sexual shot social Socialist Realist Soviet Film Soviet Union Soviet woman specific spectator Stalin Prize Stalinist Stalinist musicals Starewicz story style television Thai tion Turovskaya University of Wisconsin-Milwaukee utopia Volga Volga-Volga Western Woman of Bangkok women York