Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 17,Oplag 31995 |
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Side 6
... Duke University in January 1993. We would like to thank the Josiah Charles Trent Foundation at Duke University for its support . We would also like to thank Don Crafton , Director of the Wisconsin Center for Film and Theater Research ...
... Duke University in January 1993. We would like to thank the Josiah Charles Trent Foundation at Duke University for its support . We would also like to thank Don Crafton , Director of the Wisconsin Center for Film and Theater Research ...
Side 116
... Duke University in January , 1993. The quotation is from an unpublished abstract , " The Melodrama and Its Audience ... Duke UP , 1992. 9-47 . Aumont , Jacques , et al . Aesthetics of Film . Trans . and rev . Richard Neupert . Austin : U ...
... Duke University in January , 1993. The quotation is from an unpublished abstract , " The Melodrama and Its Audience ... Duke UP , 1992. 9-47 . Aumont , Jacques , et al . Aesthetics of Film . Trans . and rev . Richard Neupert . Austin : U ...
Side 166
... University . She has written for SPECTA- TOR : USC Journal of Film and Television Criticism . Her current work ... Duke University , is the author of a book in Russian on the literature of the Stalin era in historical context ( 1993 ) ...
... University . She has written for SPECTA- TOR : USC Journal of Film and Television Criticism . Her current work ... Duke University , is the author of a book in Russian on the literature of the Stalin era in historical context ( 1993 ) ...
Indhold
Views from the PostFutureSoviet Eastern European Cinema | 3 |
Jewish Identity in PostCommunist Hungarian Cinema | 24 |
Why Stalinist Musicals? | 38 |
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aesthetic Alexandrov American Aoi's appears audience Azhaev Bauer bourgeois British Film Institute camera Carnival Night cinema classical comedy context culture D. W. Griffith Dennis O'Rourke director discourse documentary dramatic editing Eisenstein essays example feminist criticism festival fiction Figure Film Noir film theory film's filmic filmmaker genre German glasnost Griffith Hart heroes heroine Holocaust Hungarian Hungary ideological interview Jewish Jews kolhoz Lahusen lesbian literary literature locate Lyubov Orlova Marina Ladynina melodrama Moscow myth narrative national identity novel O'Rourke O'Rourke's offers played political popular prerevolutionary produced prostitutes Pudovkin's readers reality relationship representation reveals revolutionary Russian satire scene screen self-reflexivity sexual shot social Socialist Realist Soviet Film Soviet Union Soviet woman specific spectator Stalin Prize Stalinist Stalinist musicals Starewicz story style television Thai tion Turovskaya University of Wisconsin-Milwaukee utopia Volga Volga-Volga Western Woman of Bangkok women York