Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 17,Oplag 31995 |
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Side 82
... American ( as well as Indian , Turkish , and Greek ) popular movies , seem to have a strong appeal for Russian viewers . Neither Russian nor American , the heroes of The Rich Also Cry remind one of teenage romances with Alexander Dumas ...
... American ( as well as Indian , Turkish , and Greek ) popular movies , seem to have a strong appeal for Russian viewers . Neither Russian nor American , the heroes of The Rich Also Cry remind one of teenage romances with Alexander Dumas ...
Side 111
... American " Energy " One of the more curious developments in motion picture history for beginning film students is the Soviet filmmakers ' enthu- siasm for and subsequent adaptation of American silent melo- drama for their revolutionary ...
... American " Energy " One of the more curious developments in motion picture history for beginning film students is the Soviet filmmakers ' enthu- siasm for and subsequent adaptation of American silent melo- drama for their revolutionary ...
Side 149
... American ” in “ Asian American " so readily gets forgotten when I am identified by others , and because Asian / Asian- American female subjectivity is so often constructed by its proximity to or distance from ( to use Mosse's terms ) ...
... American ” in “ Asian American " so readily gets forgotten when I am identified by others , and because Asian / Asian- American female subjectivity is so often constructed by its proximity to or distance from ( to use Mosse's terms ) ...
Indhold
Views from the PostFutureSoviet Eastern European Cinema | 3 |
Jewish Identity in PostCommunist Hungarian Cinema | 24 |
Why Stalinist Musicals? | 38 |
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aesthetic Alexandrov American Aoi's appears audience Azhaev Bauer bourgeois British Film Institute camera Carnival Night cinema classical comedy context culture D. W. Griffith Dennis O'Rourke director discourse documentary dramatic editing Eisenstein essays example feminist criticism festival fiction Figure Film Noir film theory film's filmic filmmaker genre German glasnost Griffith Hart heroes heroine Holocaust Hungarian Hungary ideological interview Jewish Jews kolhoz Lahusen lesbian literary literature locate Lyubov Orlova Marina Ladynina melodrama Moscow myth narrative national identity novel O'Rourke O'Rourke's offers played political popular prerevolutionary produced prostitutes Pudovkin's readers reality relationship representation reveals revolutionary Russian satire scene screen self-reflexivity sexual shot social Socialist Realist Soviet Film Soviet Union Soviet woman specific spectator Stalin Prize Stalinist Stalinist musicals Starewicz story style television Thai tion Turovskaya University of Wisconsin-Milwaukee utopia Volga Volga-Volga Western Woman of Bangkok women York