Chinese Poetic ClosureP. Lang, 1996 - 168 sider In this comparative study of Chinese poetic closure, Yang Ye focuses on a «scenic ending» that presents an image rather than a statement of thought, as exemplified in the poetry of High T'ang poets like Tu Fu. Chinese Poetic Closure places the development of poetic structure in the Chinese tradition since the ancient anthology, The Book of Songs, and explores the underlying poetics of incompleteness and suggestiveness. In the light of the explication of Western texts (Du Bellay, Hölderlin, and Shelley) and an examination of early reception of Chinese poetry in the West, Ye reflects on fundamental differences between Chinese and Western poetry and poetics. |
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Side 8
... reader's attention , and often curiosity as well , from the very start , in its unusual mode of address that seems to shove the reader immediately into a theater set for him , alluring , intriguing , puzzling . The reader is urged to ...
... reader's attention , and often curiosity as well , from the very start , in its unusual mode of address that seems to shove the reader immediately into a theater set for him , alluring , intriguing , puzzling . The reader is urged to ...
Side 84
... reader has to see through on his own . Between the title and the text there brews a tension that invites the reader to find clues for the puzzle . The last line , apparently purely descriptive , prompts a series of questions . Why did ...
... reader has to see through on his own . Between the title and the text there brews a tension that invites the reader to find clues for the puzzle . The last line , apparently purely descriptive , prompts a series of questions . Why did ...
Side 135
... reader's mind after the text comes to an end , inviting the reader to interpret its meaning and its relation with the entire text . It remains a riddle until the reader sets it alive and makes sense out of it , just as the lute has to ...
... reader's mind after the text comes to an end , inviting the reader to interpret its meaning and its relation with the entire text . It remains a riddle until the reader sets it alive and makes sense out of it , just as the lute has to ...
Indhold
Scenic Closure in Tu Fus Poetry | 19 |
Ending in the Beginning | 37 |
A Diachronic Survey | 65 |
Copyright | |
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anthology Arthur Waley beautiful beginning century B.C. Ch'ang-an Ch'i Ch'ien Ch'i's Ch'u Chang Cheng chih Chin China Chinese literary criticism Chinese Literature Chinese Poems Chinese poetry ching Chou chü Chu Hsi chüan Chung Chung-hua shu-chü cited classical close Confucian convention couplet discussion dynasty Edition emotions Emperor English example Feng fowls Fowls-Trussing Fu's Han dynasty High T'ang hsing Hsü hsüan human K'ung Ku-chi ch'u-pan-she Kūkai last line Li-tai shih-hua Liu Hsieh lü-shih lyric songs Mao's Scholia meta-poetic mind mountains Ozymandias pattern Peking pentasyllabic poet poet's poetic closure poetic structure Princeton quatrain reader reading river scene scenic closure Scholia sense Shanghai Shen shih Shih-ching texts stanza Stephen Owen suggested swans T'ang poets T'ang-shih tercet term thought tradition translation Tu Fu tz'u University Press verse Vols Waley Wang Wei Warring States period Wen-hsin tiao-lung wen-hsüeh Western poetry words Yüan zither