Chinese Poetic ClosureP. Lang, 1996 - 168 sider In this comparative study of Chinese poetic closure, Yang Ye focuses on a «scenic ending» that presents an image rather than a statement of thought, as exemplified in the poetry of High T'ang poets like Tu Fu. Chinese Poetic Closure places the development of poetic structure in the Chinese tradition since the ancient anthology, The Book of Songs, and explores the underlying poetics of incompleteness and suggestiveness. In the light of the explication of Western texts (Du Bellay, Hölderlin, and Shelley) and an examination of early reception of Chinese poetry in the West, Ye reflects on fundamental differences between Chinese and Western poetry and poetics. |
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Side 53
... pattern by introducing a final stanza that does not repeat the beginning lines of previous stanzas . In No. 13 , as discussed above , it is the last stanza that breaks the paratactic pattern of the two previous stanzas , and this change ...
... pattern by introducing a final stanza that does not repeat the beginning lines of previous stanzas . In No. 13 , as discussed above , it is the last stanza that breaks the paratactic pattern of the two previous stanzas , and this change ...
Side 72
... patterns in the Shih - ching : the wishful closure and the simile closure . The former usually suggests ... pattern of starting with image and closing with thought was continued with little variation . This was found in the ...
... patterns in the Shih - ching : the wishful closure and the simile closure . The former usually suggests ... pattern of starting with image and closing with thought was continued with little variation . This was found in the ...
Side 76
... pattern . In such poems , it always seems as if the poet could either move on further , or just end here because he had run out of descriptions . Although the poem ends without a sense of conclusion , there was yet no dynamic shift ...
... pattern . In such poems , it always seems as if the poet could either move on further , or just end here because he had run out of descriptions . Although the poem ends without a sense of conclusion , there was yet no dynamic shift ...
Indhold
Scenic Closure in Tu Fus Poetry | 19 |
Ending in the Beginning | 37 |
A Diachronic Survey | 65 |
Copyright | |
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anthology Arthur Waley beautiful beginning century B.C. Ch'ang-an Ch'i Ch'ien Ch'i's Ch'u Chang Cheng chih Chin China Chinese literary criticism Chinese Literature Chinese Poems Chinese poetry ching Chou chü Chu Hsi chüan Chung Chung-hua shu-chü cited classical close Confucian convention couplet discussion dynasty Edition emotions Emperor English example Feng fowls Fowls-Trussing Fu's Han dynasty High T'ang hsing Hsü hsüan human K'ung Ku-chi ch'u-pan-she Kūkai last line Li-tai shih-hua Liu Hsieh lü-shih lyric songs Mao's Scholia meta-poetic mind mountains Ozymandias pattern Peking pentasyllabic poet poet's poetic closure poetic structure Princeton quatrain reader reading river scene scenic closure Scholia sense Shanghai Shen shih Shih-ching texts stanza Stephen Owen suggested swans T'ang poets T'ang-shih tercet term thought tradition translation Tu Fu tz'u University Press verse Vols Waley Wang Wei Warring States period Wen-hsin tiao-lung wen-hsüeh Western poetry words Yüan zither