Chinese Poetic ClosureP. Lang, 1996 - 168 sider In this comparative study of Chinese poetic closure, Yang Ye focuses on a «scenic ending» that presents an image rather than a statement of thought, as exemplified in the poetry of High T'ang poets like Tu Fu. Chinese Poetic Closure places the development of poetic structure in the Chinese tradition since the ancient anthology, The Book of Songs, and explores the underlying poetics of incompleteness and suggestiveness. In the light of the explication of Western texts (Du Bellay, Hölderlin, and Shelley) and an examination of early reception of Chinese poetry in the West, Ye reflects on fundamental differences between Chinese and Western poetry and poetics. |
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Scenic Closure in Tu Fus Poetry | 19 |
Ending in the Beginning | 37 |
A Diachronic Survey | 65 |
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anthology Arthur Waley beautiful beginning century B.C. Ch'ang-an Ch'i Ch'ien Ch'i's Ch'u Chang Cheng chih Chin China Chinese literary criticism Chinese Literature Chinese Poems Chinese poetry ching Chou chü Chu Hsi chüan Chung Chung-hua shu-chü cited classical close Confucian convention couplet discussion dynasty Edition emotions Emperor English example Feng fowls Fowls-Trussing Fu's Han dynasty High T'ang hsing Hsü hsüan human K'ung Ku-chi ch'u-pan-she Kūkai last line Li-tai shih-hua Liu Hsieh lü-shih lyric songs Mao's Scholia meta-poetic mind mountains Ozymandias pattern Peking pentasyllabic poet poet's poetic closure poetic structure Princeton quatrain reader reading river scene scenic closure Scholia sense Shanghai Shen shih Shih-ching texts stanza Stephen Owen suggested swans T'ang poets T'ang-shih tercet term thought tradition translation Tu Fu tz'u University Press verse Vols Waley Wang Wei Warring States period Wen-hsin tiao-lung wen-hsüeh Western poetry words Yüan zither