Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 21Indiana University Press, 1999 |
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Side 64
... figures are juxtaposed rather than interlaced , is doubly my mirror : the multiplication of its basic figure gives me a spatial rendition of my temporal multiplication ; the abstraction of its unit figure reminds me of my own ...
... figures are juxtaposed rather than interlaced , is doubly my mirror : the multiplication of its basic figure gives me a spatial rendition of my temporal multiplication ; the abstraction of its unit figure reminds me of my own ...
Side 99
... figure of Dolores Huerta an excerpt from the poem " Vende Futuro " by Chicana poet Gloria Alvárez which directly speaks of this trespassing of borders : " We cross the line between four directions , common points on long paths . ” We ...
... figure of Dolores Huerta an excerpt from the poem " Vende Futuro " by Chicana poet Gloria Alvárez which directly speaks of this trespassing of borders : " We cross the line between four directions , common points on long paths . ” We ...
Side 128
... figure's relation to writing and textuality , specifically that this figure must emerge through writing ( that is , readable writing ) so that the figure can be identified as such . Almaguer's and Moraga's insistence on the readability ...
... figure's relation to writing and textuality , specifically that this figure must emerge through writing ( that is , readable writing ) so that the figure can be identified as such . Almaguer's and Moraga's insistence on the readability ...
Indhold
IntroductionThats | 11 |
Middle Eastern Films Before Thy Gaze Returns to Theein Less | 56 |
Life and Nothing More by Abbas Kiarostami | 77 |
Copyright | |
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