Speaking ShakespeareMethuen, 2002 - 355 sider This text journeys to the heart of speaking and acting Shakespeare. Starting with the givens of speaking verse through to the rehearsal of leading Shakespeare roles from Hamlet, King Lear, Richard III, Macbeth and others, this title unlocks some of the greatest challenges from a playwrite that any actor will encounter. With a mixture of anecdotes and clear instructions starting with the voice and moving on to major textual analysis, this text provides a guide to anyone who wants to start to understand how to act Shakespeare. |
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Side 49
... whole speech , occasionally moving into speaking . When you have intoned a whole speech with support and an open voice placing , you will begin to grasp how much energy free , heightened speaking involves . Now return to speaking the ...
... whole speech , occasionally moving into speaking . When you have intoned a whole speech with support and an open voice placing , you will begin to grasp how much energy free , heightened speaking involves . Now return to speaking the ...
Side 221
... whole sequence of exercises with others , but let us for the moment explore another profound aspect of energy : listening . • Make the work more complex : as your partner delivers a speech to you in First , Third and Second , change the ...
... whole sequence of exercises with others , but let us for the moment explore another profound aspect of energy : listening . • Make the work more complex : as your partner delivers a speech to you in First , Third and Second , change the ...
Side 239
... whole nation . Then Antony's vision moves back into the domestic horror of war , mothers and infants ; and from this appalling spectacle he sees the spirit of Caesar with Até , from hell spreading war , before the last two lines tie his ...
... whole nation . Then Antony's vision moves back into the domestic horror of war , mothers and infants ; and from this appalling spectacle he sees the spirit of Caesar with Até , from hell spreading war , before the last two lines tie his ...
Indhold
Foundation Craft | 3 |
The Body | 15 |
The State of Readiness | 23 |
Copyright | |
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actor alliteration Antony audience Autolycus beat begin Benedick Berowne blank verse body breath character character's Claudio connected death Demetrius Desdemona Edgar Edmund emotional energy exercise explore eyes Falstaff father feel fool forward givens Gloucester Goneril Hamlet hath hear heart Heightened Circumstances Helena Hermia human husband Iago iambic iambic pentameter imagination irony Isabella journey Juliet King King Lear Lady Macbeth language Lear Leontes listen look Lysander meaning Merchant of Venice mouth move murder muscles Oberon Olivia onomatopoeia Othello pain passion pause Phoebe physical play Posthumus prose Puck push realise rehearsal release reveal rhyming couplet rhythm Richard Romeo Rosalind scene Second Circle sense Shakespeare Shylock Silvius soliloquy sound speak speech stay stop structure syllables tension thee thou thought Titania tongue Tybalt understand Viola vocal voice vowels walk wife Winter's Tale word