Speaking ShakespeareMethuen, 2002 - 355 sider This text journeys to the heart of speaking and acting Shakespeare. Starting with the givens of speaking verse through to the rehearsal of leading Shakespeare roles from Hamlet, King Lear, Richard III, Macbeth and others, this title unlocks some of the greatest challenges from a playwrite that any actor will encounter. With a mixture of anecdotes and clear instructions starting with the voice and moving on to major textual analysis, this text provides a guide to anyone who wants to start to understand how to act Shakespeare. |
Fra bogen
Resultater 1-3 af 60
Side 120
... understand that the wrong placing of an inter- val can simply kill the potency of a production . For the same reason , actors need to run scenes and plays in rehearsal as soon as possible . It's not just that running scenes into each ...
... understand that the wrong placing of an inter- val can simply kill the potency of a production . For the same reason , actors need to run scenes and plays in rehearsal as soon as possible . It's not just that running scenes into each ...
Side 182
... understand what follows . At a basic level , for instance , the second scene , in which the mechanicals discuss the play they will perform for the Duke and Hippolyta on their wedding day , relies on an exchange early in the first where ...
... understand what follows . At a basic level , for instance , the second scene , in which the mechanicals discuss the play they will perform for the Duke and Hippolyta on their wedding day , relies on an exchange early in the first where ...
Side 319
... understand how effective a weapon that ' sinister usage ' can be in the hands of other women . - This unpredictable start leads Olivia to show her first real interest in Viola - for if Viola is out of her part so is Olivia when she asks ...
... understand how effective a weapon that ' sinister usage ' can be in the hands of other women . - This unpredictable start leads Olivia to show her first real interest in Viola - for if Viola is out of her part so is Olivia when she asks ...
Indhold
Foundation Craft | 3 |
The Body | 15 |
The State of Readiness | 23 |
Copyright | |
21 andre sektioner vises ikke
Andre udgaver - Se alle
Almindelige termer og sætninger
actor alliteration Antony audience Autolycus beat begin Benedick Berowne blank verse body breath character character's Claudio connected death Demetrius Desdemona Edgar Edmund emotional energy exercise explore eyes Falstaff father feel fool forward givens Gloucester Goneril Hamlet hath hear heart Heightened Circumstances Helena Hermia human husband Iago iambic iambic pentameter imagination irony Isabella journey Juliet King King Lear Lady Macbeth language Lear Leontes listen look Lysander meaning Merchant of Venice mouth move murder muscles Oberon Olivia onomatopoeia Othello pain passion pause Phoebe physical play Posthumus prose Puck push realise rehearsal release reveal rhyming couplet rhythm Richard Romeo Rosalind scene Second Circle sense Shakespeare Shylock Silvius soliloquy sound speak speech stay stop structure syllables tension thee thou thought Titania tongue Tybalt understand Viola vocal voice vowels walk wife Winter's Tale word