Speaking ShakespeareMethuen, 2002 - 355 sider This text journeys to the heart of speaking and acting Shakespeare. Starting with the givens of speaking verse through to the rehearsal of leading Shakespeare roles from Hamlet, King Lear, Richard III, Macbeth and others, this title unlocks some of the greatest challenges from a playwrite that any actor will encounter. With a mixture of anecdotes and clear instructions starting with the voice and moving on to major textual analysis, this text provides a guide to anyone who wants to start to understand how to act Shakespeare. |
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Side 114
... thee from the golden round Which fate and metaphysical aid doth seem To have thee crown'd withal . ( I.v ) There are seven thoughts in seventeen lines : that's high - density thinking . Five of the thoughts start mid - line , an unease ...
... thee from the golden round Which fate and metaphysical aid doth seem To have thee crown'd withal . ( I.v ) There are seven thoughts in seventeen lines : that's high - density thinking . Five of the thoughts start mid - line , an unease ...
Side 148
... thee , In thy just proof repeals and reconciles thee . What will hap more to - night , safe ' scape the King ! Lurk , lurk . Here Edgar discovers , in the light of the king's agony , that no one has a monopoly on suffering . He speaks ...
... thee , In thy just proof repeals and reconciles thee . What will hap more to - night , safe ' scape the King ! Lurk , lurk . Here Edgar discovers , in the light of the king's agony , that no one has a monopoly on suffering . He speaks ...
Side 194
... thee hither , That I may pour my spirits in thine ear And chastise with the valour of my tongue All that impedes thee from the golden round , Which fate and metaphysical aid doth seem To have thee crown'd withal . ( I.v ) - and at once ...
... thee hither , That I may pour my spirits in thine ear And chastise with the valour of my tongue All that impedes thee from the golden round , Which fate and metaphysical aid doth seem To have thee crown'd withal . ( I.v ) - and at once ...
Indhold
Foundation Craft | 3 |
The Body | 15 |
The State of Readiness | 23 |
Copyright | |
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actor alliteration Antony audience Autolycus beat begin Benedick Berowne blank verse body breath character character's Claudio connected death Demetrius Desdemona Edgar Edmund emotional energy exercise explore eyes Falstaff father feel fool forward givens Gloucester Goneril Hamlet hath hear heart Heightened Circumstances Helena Hermia human husband Iago iambic iambic pentameter imagination irony Isabella journey Juliet King King Lear Lady Macbeth language Lear Leontes listen look Lysander meaning Merchant of Venice mouth move murder muscles Oberon Olivia onomatopoeia Othello pain passion pause Phoebe physical play Posthumus prose Puck push realise rehearsal release reveal rhyming couplet rhythm Richard Romeo Rosalind scene Second Circle sense Shakespeare Shylock Silvius soliloquy sound speak speech stay stop structure syllables tension thee thou thought Titania tongue Tybalt understand Viola vocal voice vowels walk wife Winter's Tale word