Speaking ShakespeareMethuen, 2002 - 355 sider This text journeys to the heart of speaking and acting Shakespeare. Starting with the givens of speaking verse through to the rehearsal of leading Shakespeare roles from Hamlet, King Lear, Richard III, Macbeth and others, this title unlocks some of the greatest challenges from a playwrite that any actor will encounter. With a mixture of anecdotes and clear instructions starting with the voice and moving on to major textual analysis, this text provides a guide to anyone who wants to start to understand how to act Shakespeare. |
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Side 199
... tell thee friend , I am almost mad myself . I had a son Now outlaw'd from my blood ; he sought my life , But lately , very late . I lov'd him , friend - No father his son dearer . True to tell thee , The grief hath craz'd my wits ...
... tell thee friend , I am almost mad myself . I had a son Now outlaw'd from my blood ; he sought my life , But lately , very late . I lov'd him , friend - No father his son dearer . True to tell thee , The grief hath craz'd my wits ...
Side 316
... tell me if this be the lady of the house , for I never saw her . I would be loath to cast away my speech ; for , besides that it is excellently well penn'd , I have taken great pains to con it . Good beauties , let me sus- tain no scorn ...
... tell me if this be the lady of the house , for I never saw her . I would be loath to cast away my speech ; for , besides that it is excellently well penn'd , I have taken great pains to con it . Good beauties , let me sus- tain no scorn ...
Side 330
... tell you ' breaks , creating a pause to get their full attention before he embarks on the true version of events . In moving to a heightened form , he also heightens Cleopatra - she is not a woman to be discussed in prose . This could ...
... tell you ' breaks , creating a pause to get their full attention before he embarks on the true version of events . In moving to a heightened form , he also heightens Cleopatra - she is not a woman to be discussed in prose . This could ...
Indhold
Foundation Craft | 3 |
The Body | 15 |
The State of Readiness | 23 |
Copyright | |
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actor alliteration Antony audience Autolycus beat begin Benedick Berowne blank verse body breath character character's Claudio connected death Demetrius Desdemona Edgar Edmund emotional energy exercise explore eyes Falstaff father feel fool forward givens Gloucester Goneril Hamlet hath hear heart Heightened Circumstances Helena Hermia human husband Iago iambic iambic pentameter imagination irony Isabella journey Juliet King King Lear Lady Macbeth language Lear Leontes listen look Lysander meaning Merchant of Venice mouth move murder muscles Oberon Olivia onomatopoeia Othello pain passion pause Phoebe physical play Posthumus prose Puck push realise rehearsal release reveal rhyming couplet rhythm Richard Romeo Rosalind scene Second Circle sense Shakespeare Shylock Silvius soliloquy sound speak speech stay stop structure syllables tension thee thou thought Titania tongue Tybalt understand Viola vocal voice vowels walk wife Winter's Tale word