Speaking ShakespeareMethuen, 2002 - 355 sider This text journeys to the heart of speaking and acting Shakespeare. Starting with the givens of speaking verse through to the rehearsal of leading Shakespeare roles from Hamlet, King Lear, Richard III, Macbeth and others, this title unlocks some of the greatest challenges from a playwrite that any actor will encounter. With a mixture of anecdotes and clear instructions starting with the voice and moving on to major textual analysis, this text provides a guide to anyone who wants to start to understand how to act Shakespeare. |
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Side 96
... syllables - that is left to the Duke - Duke Frederick : You , cousin . - and perhaps in shock he can't neatly finish the ten syllables but seeps into an extra two . Thus in one twelve - syllable line there are three exchanges between ...
... syllables - that is left to the Duke - Duke Frederick : You , cousin . - and perhaps in shock he can't neatly finish the ten syllables but seeps into an extra two . Thus in one twelve - syllable line there are three exchanges between ...
Side 97
... syllables . You will find pauses in the verse at three critical moments in the development of the scene . The first is Shylock's ' Most rightful Judge ! ' Here there is a pause for four syllables , perhaps because Portia is still ...
... syllables . You will find pauses in the verse at three critical moments in the development of the scene . The first is Shylock's ' Most rightful Judge ! ' Here there is a pause for four syllables , perhaps because Portia is still ...
Side 262
... syllables apart from the first line and ' Does not attend my taking . Whiles I may scape ' . This eleven - syllable line is Edgar's turning - point - the moment he decides to preserve himself . The next eleven - syllable line is ' That ...
... syllables apart from the first line and ' Does not attend my taking . Whiles I may scape ' . This eleven - syllable line is Edgar's turning - point - the moment he decides to preserve himself . The next eleven - syllable line is ' That ...
Indhold
Foundation Craft | 3 |
The Body | 15 |
The State of Readiness | 23 |
Copyright | |
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actor alliteration Antony audience Autolycus beat begin Benedick Berowne blank verse body breath character character's Claudio connected death Demetrius Desdemona Edgar Edmund emotional energy exercise explore eyes Falstaff father feel fool forward givens Gloucester Goneril Hamlet hath hear heart Heightened Circumstances Helena Hermia human husband Iago iambic iambic pentameter imagination irony Isabella journey Juliet King King Lear Lady Macbeth language Lear Leontes listen look Lysander meaning Merchant of Venice mouth move murder muscles Oberon Olivia onomatopoeia Othello pain passion pause Phoebe physical play Posthumus prose Puck push realise rehearsal release reveal rhyming couplet rhythm Richard Romeo Rosalind scene Second Circle sense Shakespeare Shylock Silvius soliloquy sound speak speech stay stop structure syllables tension thee thou thought Titania tongue Tybalt understand Viola vocal voice vowels walk wife Winter's Tale word