Speaking ShakespeareMethuen, 2002 - 355 sider This text journeys to the heart of speaking and acting Shakespeare. Starting with the givens of speaking verse through to the rehearsal of leading Shakespeare roles from Hamlet, King Lear, Richard III, Macbeth and others, this title unlocks some of the greatest challenges from a playwrite that any actor will encounter. With a mixture of anecdotes and clear instructions starting with the voice and moving on to major textual analysis, this text provides a guide to anyone who wants to start to understand how to act Shakespeare. |
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Side 104
... start stressed and end unstressed . Likewise , it's not an accident if the line isn't ten syllables long or is broken half way through ; or if a thought doesn't start at the beginning of a line and end at the end . Look for the reason ...
... start stressed and end unstressed . Likewise , it's not an accident if the line isn't ten syllables long or is broken half way through ; or if a thought doesn't start at the beginning of a line and end at the end . Look for the reason ...
Side 106
... start of the next line . The d in ' blood ' stops you , and y in ' Yet ' unlocks your mouth to start the energy as you continue , and this propels you forward to ' honour ' , which doesn't stop you . The stop happens in the making of th ...
... start of the next line . The d in ' blood ' stops you , and y in ' Yet ' unlocks your mouth to start the energy as you continue , and this propels you forward to ' honour ' , which doesn't stop you . The stop happens in the making of th ...
Side 288
... starts only two lines with substantial words - ' Abuse ' and ' Knavery ' . They're both unnerving words , even more start- ling because they are embedded at the beginning of a line while the rest of the lines start with regular words ...
... starts only two lines with substantial words - ' Abuse ' and ' Knavery ' . They're both unnerving words , even more start- ling because they are embedded at the beginning of a line while the rest of the lines start with regular words ...
Indhold
Foundation Craft | 3 |
The Body | 15 |
The State of Readiness | 23 |
Copyright | |
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actor alliteration Antony audience Autolycus beat begin Benedick Berowne blank verse body breath character character's Claudio connected death Demetrius Desdemona Edgar Edmund emotional energy exercise explore eyes Falstaff father feel fool forward givens Gloucester Goneril Hamlet hath hear heart Heightened Circumstances Helena Hermia human husband Iago iambic iambic pentameter imagination irony Isabella journey Juliet King King Lear Lady Macbeth language Lear Leontes listen look Lysander meaning Merchant of Venice mouth move murder muscles Oberon Olivia onomatopoeia Othello pain passion pause Phoebe physical play Posthumus prose Puck push realise rehearsal release reveal rhyming couplet rhythm Richard Romeo Rosalind scene Second Circle sense Shakespeare Shylock Silvius soliloquy sound speak speech stay stop structure syllables tension thee thou thought Titania tongue Tybalt understand Viola vocal voice vowels walk wife Winter's Tale word