Speaking ShakespeareMethuen, 2002 - 355 sider This text journeys to the heart of speaking and acting Shakespeare. Starting with the givens of speaking verse through to the rehearsal of leading Shakespeare roles from Hamlet, King Lear, Richard III, Macbeth and others, this title unlocks some of the greatest challenges from a playwrite that any actor will encounter. With a mixture of anecdotes and clear instructions starting with the voice and moving on to major textual analysis, this text provides a guide to anyone who wants to start to understand how to act Shakespeare. |
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Side 234
Patsy Rodenburg. Remember too that a speech is never just a speech . It is a series of steps or stages on a journey . Always take the pressure off yourself ; don't think you have to do the whole speech in one emotional burst . Instead ...
Patsy Rodenburg. Remember too that a speech is never just a speech . It is a series of steps or stages on a journey . Always take the pressure off yourself ; don't think you have to do the whole speech in one emotional burst . Instead ...
Side 353
... speech while letting the breath take care of itself . That is , try not to think of the breath but to communicate the intention of the speech . • Not only has your breath been stretched , but the speech might be breathing you rather ...
... speech while letting the breath take care of itself . That is , try not to think of the breath but to communicate the intention of the speech . • Not only has your breath been stretched , but the speech might be breathing you rather ...
Side 354
... speech with minimum range . Deliberately speak the speech with an exaggerated range . • Speak the speech with intention - the exercise should have given your voice and feelings more bounce and expression . By doing these exercises , you ...
... speech with minimum range . Deliberately speak the speech with an exaggerated range . • Speak the speech with intention - the exercise should have given your voice and feelings more bounce and expression . By doing these exercises , you ...
Indhold
Foundation Craft | 3 |
The Body | 15 |
The State of Readiness | 23 |
Copyright | |
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actor alliteration Antony audience Autolycus beat begin Benedick Berowne blank verse body breath character character's Claudio connected death Demetrius Desdemona Edgar Edmund emotional energy exercise explore eyes Falstaff father feel fool forward givens Gloucester Goneril Hamlet hath hear heart Heightened Circumstances Helena Hermia human husband Iago iambic iambic pentameter imagination irony Isabella journey Juliet King King Lear Lady Macbeth language Lear Leontes listen look Lysander meaning Merchant of Venice mouth move murder muscles Oberon Olivia onomatopoeia Othello pain passion pause Phoebe physical play Posthumus prose Puck push realise rehearsal release reveal rhyming couplet rhythm Richard Romeo Rosalind scene Second Circle sense Shakespeare Shylock Silvius soliloquy sound speak speech stay stop structure syllables tension thee thou thought Titania tongue Tybalt understand Viola vocal voice vowels walk wife Winter's Tale word