Speaking ShakespeareMethuen, 2002 - 355 sider This text journeys to the heart of speaking and acting Shakespeare. Starting with the givens of speaking verse through to the rehearsal of leading Shakespeare roles from Hamlet, King Lear, Richard III, Macbeth and others, this title unlocks some of the greatest challenges from a playwrite that any actor will encounter. With a mixture of anecdotes and clear instructions starting with the voice and moving on to major textual analysis, this text provides a guide to anyone who wants to start to understand how to act Shakespeare. |
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Side 217
... seems to me , is that so many actors find it hard to go beyond the two most common kinds of energy , which I described earlier as denial and bluff . One trans- lates broadly into devoicing and mumbling ; the other into pushing and ...
... seems to me , is that so many actors find it hard to go beyond the two most common kinds of energy , which I described earlier as denial and bluff . One trans- lates broadly into devoicing and mumbling ; the other into pushing and ...
Side 310
... seems unaware of her unwillingness to respond and carries on in the same vein . She too continues her pattern of reply , finishing his line ' Stuck in my throat ' with ' These deeds must not be thought after these ways : so , it will ...
... seems unaware of her unwillingness to respond and carries on in the same vein . She too continues her pattern of reply , finishing his line ' Stuck in my throat ' with ' These deeds must not be thought after these ways : so , it will ...
Side 319
... seems to have no problem with it and asks a direct question : " The honourable lady of the house , which is she ? ' Olivia responds in her first engagement with the youth . Immediately before Viola's entrance she has said , ' We'll once ...
... seems to have no problem with it and asks a direct question : " The honourable lady of the house , which is she ? ' Olivia responds in her first engagement with the youth . Immediately before Viola's entrance she has said , ' We'll once ...
Indhold
Foundation Craft | 3 |
The Body | 15 |
The State of Readiness | 23 |
Copyright | |
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actor alliteration Antony audience Autolycus beat begin Benedick Berowne blank verse body breath character character's Claudio connected death Demetrius Desdemona Edgar Edmund emotional energy exercise explore eyes Falstaff father feel fool forward givens Gloucester Goneril Hamlet hath hear heart Heightened Circumstances Helena Hermia human husband Iago iambic iambic pentameter imagination irony Isabella journey Juliet King King Lear Lady Macbeth language Lear Leontes listen look Lysander meaning Merchant of Venice mouth move murder muscles Oberon Olivia onomatopoeia Othello pain passion pause Phoebe physical play Posthumus prose Puck push realise rehearsal release reveal rhyming couplet rhythm Richard Romeo Rosalind scene Second Circle sense Shakespeare Shylock Silvius soliloquy sound speak speech stay stop structure syllables tension thee thou thought Titania tongue Tybalt understand Viola vocal voice vowels walk wife Winter's Tale word