Speaking ShakespeareMethuen, 2002 - 355 sider This text journeys to the heart of speaking and acting Shakespeare. Starting with the givens of speaking verse through to the rehearsal of leading Shakespeare roles from Hamlet, King Lear, Richard III, Macbeth and others, this title unlocks some of the greatest challenges from a playwrite that any actor will encounter. With a mixture of anecdotes and clear instructions starting with the voice and moving on to major textual analysis, this text provides a guide to anyone who wants to start to understand how to act Shakespeare. |
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Side 58
... reveal his intentions ; rusty muscles miss the clues as they struggle inappropriately . The clearer the articulation is , the clearer the thought . The pace and rhythm of the text will also be more evident . By speak- ing everything ...
... reveal his intentions ; rusty muscles miss the clues as they struggle inappropriately . The clearer the articulation is , the clearer the thought . The pace and rhythm of the text will also be more evident . By speak- ing everything ...
Side 74
... vowels are more emotional than shorter ones . The diffi- culty in speaking certain consonants and vowels together can reveal tensions in content and situation . Monosyllabic words often reveal 74 Speaking Shakespeare.
... vowels are more emotional than shorter ones . The diffi- culty in speaking certain consonants and vowels together can reveal tensions in content and situation . Monosyllabic words often reveal 74 Speaking Shakespeare.
Side 324
... reveal is Viola's energy and fresh- ness in language - she is alive . Olivia's speech is more controlled , until the flame of love starts to burn and sear off the reasonable words . Notice too that the images Viola introduces later in ...
... reveal is Viola's energy and fresh- ness in language - she is alive . Olivia's speech is more controlled , until the flame of love starts to burn and sear off the reasonable words . Notice too that the images Viola introduces later in ...
Indhold
Foundation Craft | 3 |
The Body | 15 |
The State of Readiness | 23 |
Copyright | |
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actor alliteration Antony audience Autolycus beat begin Benedick Berowne blank verse body breath character character's Claudio connected death Demetrius Desdemona Edgar Edmund emotional energy exercise explore eyes Falstaff father feel fool forward givens Gloucester Goneril Hamlet hath hear heart Heightened Circumstances Helena Hermia human husband Iago iambic iambic pentameter imagination irony Isabella journey Juliet King King Lear Lady Macbeth language Lear Leontes listen look Lysander meaning Merchant of Venice mouth move murder muscles Oberon Olivia onomatopoeia Othello pain passion pause Phoebe physical play Posthumus prose Puck push realise rehearsal release reveal rhyming couplet rhythm Richard Romeo Rosalind scene Second Circle sense Shakespeare Shylock Silvius soliloquy sound speak speech stay stop structure syllables tension thee thou thought Titania tongue Tybalt understand Viola vocal voice vowels walk wife Winter's Tale word