Speaking ShakespeareMethuen, 2002 - 355 sider This text journeys to the heart of speaking and acting Shakespeare. Starting with the givens of speaking verse through to the rehearsal of leading Shakespeare roles from Hamlet, King Lear, Richard III, Macbeth and others, this title unlocks some of the greatest challenges from a playwrite that any actor will encounter. With a mixture of anecdotes and clear instructions starting with the voice and moving on to major textual analysis, this text provides a guide to anyone who wants to start to understand how to act Shakespeare. |
Fra bogen
Resultater 1-3 af 37
Side 6
... passion , energy and courage . You will need oxygen - to fuel and sustain the long thoughts and powerful emotions without suffocating yourself or the plays in the attempt to speak them . The ability to pursue long and structured thought ...
... passion , energy and courage . You will need oxygen - to fuel and sustain the long thoughts and powerful emotions without suffocating yourself or the plays in the attempt to speak them . The ability to pursue long and structured thought ...
Side 9
... passion is attractive as opposed to faintly absurd . His characters ' ears are twitching ; their eyes are wide open , not glazed . It is in their best interests to be alert . They have to listen very carefully if they are to nego- tiate ...
... passion is attractive as opposed to faintly absurd . His characters ' ears are twitching ; their eyes are wide open , not glazed . It is in their best interests to be alert . They have to listen very carefully if they are to nego- tiate ...
Side 71
... passion . The second thread is the imaginative exploration of the text : the imaginative connections created by the words themselves which release the specific quality of the verse - the emotion , the image , the concrete detail of the ...
... passion . The second thread is the imaginative exploration of the text : the imaginative connections created by the words themselves which release the specific quality of the verse - the emotion , the image , the concrete detail of the ...
Indhold
Foundation Craft | 3 |
The Body | 15 |
The State of Readiness | 23 |
Copyright | |
21 andre sektioner vises ikke
Andre udgaver - Se alle
Almindelige termer og sætninger
actor alliteration Antony audience Autolycus beat begin Benedick Berowne blank verse body breath character character's Claudio connected death Demetrius Desdemona Edgar Edmund emotional energy exercise explore eyes Falstaff father feel fool forward givens Gloucester Goneril Hamlet hath hear heart Heightened Circumstances Helena Hermia human husband Iago iambic iambic pentameter imagination irony Isabella journey Juliet King King Lear Lady Macbeth language Lear Leontes listen look Lysander meaning Merchant of Venice mouth move murder muscles Oberon Olivia onomatopoeia Othello pain passion pause Phoebe physical play Posthumus prose Puck push realise rehearsal release reveal rhyming couplet rhythm Richard Romeo Rosalind scene Second Circle sense Shakespeare Shylock Silvius soliloquy sound speak speech stay stop structure syllables tension thee thou thought Titania tongue Tybalt understand Viola vocal voice vowels walk wife Winter's Tale word