Speaking ShakespeareMethuen, 2002 - 355 sider This text journeys to the heart of speaking and acting Shakespeare. Starting with the givens of speaking verse through to the rehearsal of leading Shakespeare roles from Hamlet, King Lear, Richard III, Macbeth and others, this title unlocks some of the greatest challenges from a playwrite that any actor will encounter. With a mixture of anecdotes and clear instructions starting with the voice and moving on to major textual analysis, this text provides a guide to anyone who wants to start to understand how to act Shakespeare. |
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Side 16
... live moment to moment without drawing on his body as an instrument of survival . Life was hard : only the fit could survive . This kind of physical alertness was as necessary in society as it was on the road or the battlefield . Many of ...
... live moment to moment without drawing on his body as an instrument of survival . Life was hard : only the fit could survive . This kind of physical alertness was as necessary in society as it was on the road or the battlefield . Many of ...
Side 101
... live tonight ' - both form and content are desperate , the iambic skip- ping and tripping over ' kill ' and ' live ' . To add to the chaos , note how many words are sharp and spiky ' mak'st ' , ' perjur'd ' , ' confess'd ' , ' us'd ...
... live tonight ' - both form and content are desperate , the iambic skip- ping and tripping over ' kill ' and ' live ' . To add to the chaos , note how many words are sharp and spiky ' mak'st ' , ' perjur'd ' , ' confess'd ' , ' us'd ...
Side 146
... live , how he lived before Sycarax encased him in the tree . It's a memory reinforced by the rhyme scheme which begins aaaa – ' I ' , ' lie ' , ' cry ' , ' fly ' - followed by the half - rhyme of ' merrily ' , then bb with ' now ' and ...
... live , how he lived before Sycarax encased him in the tree . It's a memory reinforced by the rhyme scheme which begins aaaa – ' I ' , ' lie ' , ' cry ' , ' fly ' - followed by the half - rhyme of ' merrily ' , then bb with ' now ' and ...
Indhold
Foundation Craft | 3 |
The Body | 15 |
The State of Readiness | 23 |
Copyright | |
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actor alliteration Antony audience Autolycus beat begin Benedick Berowne blank verse body breath character character's Claudio connected death Demetrius Desdemona Edgar Edmund emotional energy exercise explore eyes Falstaff father feel fool forward givens Gloucester Goneril Hamlet hath hear heart Heightened Circumstances Helena Hermia human husband Iago iambic iambic pentameter imagination irony Isabella journey Juliet King King Lear Lady Macbeth language Lear Leontes listen look Lysander meaning Merchant of Venice mouth move murder muscles Oberon Olivia onomatopoeia Othello pain passion pause Phoebe physical play Posthumus prose Puck push realise rehearsal release reveal rhyming couplet rhythm Richard Romeo Rosalind scene Second Circle sense Shakespeare Shylock Silvius soliloquy sound speak speech stay stop structure syllables tension thee thou thought Titania tongue Tybalt understand Viola vocal voice vowels walk wife Winter's Tale word