Speaking ShakespeareMethuen, 2002 - 355 sider This text journeys to the heart of speaking and acting Shakespeare. Starting with the givens of speaking verse through to the rehearsal of leading Shakespeare roles from Hamlet, King Lear, Richard III, Macbeth and others, this title unlocks some of the greatest challenges from a playwrite that any actor will encounter. With a mixture of anecdotes and clear instructions starting with the voice and moving on to major textual analysis, this text provides a guide to anyone who wants to start to understand how to act Shakespeare. |
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Side 191
... experience . While the givens create a structure of language that moves you forward through thought and story , the imaginative work will connect you emotionally to the text , excavating the ' vertical ' power of words . The casual ...
... experience . While the givens create a structure of language that moves you forward through thought and story , the imaginative work will connect you emotionally to the text , excavating the ' vertical ' power of words . The casual ...
Side 197
... experience . Indeed , the greater the expe- rience , the starker and clearer the image . Shakespeare's poetic language does not embellish : it works to create more reality and fix conflict and emotion . And as his characters are tossed ...
... experience . Indeed , the greater the expe- rience , the starker and clearer the image . Shakespeare's poetic language does not embellish : it works to create more reality and fix conflict and emotion . And as his characters are tossed ...
Side 202
... experience the lan- guage differently and more profoundly . New connections will con- stantly be made . You will feel more anchored because you will begin to own the text from your experience of the world ; and at the same time , as you ...
... experience the lan- guage differently and more profoundly . New connections will con- stantly be made . You will feel more anchored because you will begin to own the text from your experience of the world ; and at the same time , as you ...
Indhold
Foundation Craft | 3 |
The Body | 15 |
The State of Readiness | 23 |
Copyright | |
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actor alliteration Antony audience Autolycus beat begin Benedick Berowne blank verse body breath character character's Claudio connected death Demetrius Desdemona Edgar Edmund emotional energy exercise explore eyes Falstaff father feel fool forward givens Gloucester Goneril Hamlet hath hear heart Heightened Circumstances Helena Hermia human husband Iago iambic iambic pentameter imagination irony Isabella journey Juliet King King Lear Lady Macbeth language Lear Leontes listen look Lysander meaning Merchant of Venice mouth move murder muscles Oberon Olivia onomatopoeia Othello pain passion pause Phoebe physical play Posthumus prose Puck push realise rehearsal release reveal rhyming couplet rhythm Richard Romeo Rosalind scene Second Circle sense Shakespeare Shylock Silvius soliloquy sound speak speech stay stop structure syllables tension thee thou thought Titania tongue Tybalt understand Viola vocal voice vowels walk wife Winter's Tale word