Speaking ShakespeareMethuen, 2002 - 355 sider This text journeys to the heart of speaking and acting Shakespeare. Starting with the givens of speaking verse through to the rehearsal of leading Shakespeare roles from Hamlet, King Lear, Richard III, Macbeth and others, this title unlocks some of the greatest challenges from a playwrite that any actor will encounter. With a mixture of anecdotes and clear instructions starting with the voice and moving on to major textual analysis, this text provides a guide to anyone who wants to start to understand how to act Shakespeare. |
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Side 107
... exercise provides another example of how Shakespeare builds the scaffolding of a line for you to speak : the beginning and the end . Once you realise this , the technique of ' line ending ' that some actors and directors advocate ...
... exercise provides another example of how Shakespeare builds the scaffolding of a line for you to speak : the beginning and the end . Once you realise this , the technique of ' line ending ' that some actors and directors advocate ...
Side 111
... exercise , try it with a partner . • Sit opposite your partner , close enough to be able to push against their hand if the exercise becomes too frustrating . The push against the hand will help you locate the sustaining energy of a ...
... exercise , try it with a partner . • Sit opposite your partner , close enough to be able to push against their hand if the exercise becomes too frustrating . The push against the hand will help you locate the sustaining energy of a ...
Side 353
Patsy Rodenburg. The next exercise stretches your full capacity and recovery system but it can also shift your habitual breath patterns , so after the exercise you can often experience a more organic breath recovery - one more suited to ...
Patsy Rodenburg. The next exercise stretches your full capacity and recovery system but it can also shift your habitual breath patterns , so after the exercise you can often experience a more organic breath recovery - one more suited to ...
Indhold
Foundation Craft | 3 |
The Body | 15 |
The State of Readiness | 23 |
Copyright | |
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actor alliteration Antony audience Autolycus beat begin Benedick Berowne blank verse body breath character character's Claudio connected death Demetrius Desdemona Edgar Edmund emotional energy exercise explore eyes Falstaff father feel fool forward givens Gloucester Goneril Hamlet hath hear heart Heightened Circumstances Helena Hermia human husband Iago iambic iambic pentameter imagination irony Isabella journey Juliet King King Lear Lady Macbeth language Lear Leontes listen look Lysander meaning Merchant of Venice mouth move murder muscles Oberon Olivia onomatopoeia Othello pain passion pause Phoebe physical play Posthumus prose Puck push realise rehearsal release reveal rhyming couplet rhythm Richard Romeo Rosalind scene Second Circle sense Shakespeare Shylock Silvius soliloquy sound speak speech stay stop structure syllables tension thee thou thought Titania tongue Tybalt understand Viola vocal voice vowels walk wife Winter's Tale word