Speaking ShakespeareMethuen, 2002 - 355 sider This text journeys to the heart of speaking and acting Shakespeare. Starting with the givens of speaking verse through to the rehearsal of leading Shakespeare roles from Hamlet, King Lear, Richard III, Macbeth and others, this title unlocks some of the greatest challenges from a playwrite that any actor will encounter. With a mixture of anecdotes and clear instructions starting with the voice and moving on to major textual analysis, this text provides a guide to anyone who wants to start to understand how to act Shakespeare. |
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Side 48
... emotional heart of the text , for both are located in the rhythm of the speaking . The Work • Use a point just above eyeline as a visual aid . Imagine you will project towards it in an arc . • Breathe and think to that point . • Now ...
... emotional heart of the text , for both are located in the rhythm of the speaking . The Work • Use a point just above eyeline as a visual aid . Imagine you will project towards it in an arc . • Breathe and think to that point . • Now ...
Side 59
... emotional outpouring . Your voice and connection to the text will be full and heartfelt . Notice how longer vowels ... emotions , just as the corset she is wearing presses on her heart and might even break it a final , painful opening of ...
... emotional outpouring . Your voice and connection to the text will be full and heartfelt . Notice how longer vowels ... emotions , just as the corset she is wearing presses on her heart and might even break it a final , painful opening of ...
Side 230
... emotion and anyone who has experienced this sensation knows that it can also give you a liberating , even fool- hardy ... emotional specificity of Anne's journey by generalising it . Later work on the imaginative will help prevent this ...
... emotion and anyone who has experienced this sensation knows that it can also give you a liberating , even fool- hardy ... emotional specificity of Anne's journey by generalising it . Later work on the imaginative will help prevent this ...
Indhold
Foundation Craft | 3 |
The Body | 15 |
The State of Readiness | 23 |
Copyright | |
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actor alliteration Antony audience Autolycus beat begin Benedick Berowne blank verse body breath character character's Claudio connected death Demetrius Desdemona Edgar Edmund emotional energy exercise explore eyes Falstaff father feel fool forward givens Gloucester Goneril Hamlet hath hear heart Heightened Circumstances Helena Hermia human husband Iago iambic iambic pentameter imagination irony Isabella journey Juliet King King Lear Lady Macbeth language Lear Leontes listen look Lysander meaning Merchant of Venice mouth move murder muscles Oberon Olivia onomatopoeia Othello pain passion pause Phoebe physical play Posthumus prose Puck push realise rehearsal release reveal rhyming couplet rhythm Richard Romeo Rosalind scene Second Circle sense Shakespeare Shylock Silvius soliloquy sound speak speech stay stop structure syllables tension thee thou thought Titania tongue Tybalt understand Viola vocal voice vowels walk wife Winter's Tale word