Speaking ShakespeareMethuen, 2002 - 355 sider This text journeys to the heart of speaking and acting Shakespeare. Starting with the givens of speaking verse through to the rehearsal of leading Shakespeare roles from Hamlet, King Lear, Richard III, Macbeth and others, this title unlocks some of the greatest challenges from a playwrite that any actor will encounter. With a mixture of anecdotes and clear instructions starting with the voice and moving on to major textual analysis, this text provides a guide to anyone who wants to start to understand how to act Shakespeare. |
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Side 244
... death as his sister and society expect of him ; but the life force in him is too great , and so is his fear of death . He likes life , he likes his body . He is not a man who could follow his sister's route by entering a monastic order ...
... death as his sister and society expect of him ; but the life force in him is too great , and so is his fear of death . He likes life , he likes his body . He is not a man who could follow his sister's route by entering a monastic order ...
Side 248
... death to life , whose worst forms will still be paradise compared to the unspeakable horror of death . The Imaginative Claudio is trying to communicate the unknown - the ' know not where ' and ' the nowhere ' - so the basic exercise of ...
... death to life , whose worst forms will still be paradise compared to the unspeakable horror of death . The Imaginative Claudio is trying to communicate the unknown - the ' know not where ' and ' the nowhere ' - so the basic exercise of ...
Side 347
Patsy Rodenburg. But that which ends all counsel , true redress - Death , death ; O amiable lovely death ! - In this exchange Constance does respond to him - she is listening , not lost in herself . ' No ' is strong and stops her flow ...
Patsy Rodenburg. But that which ends all counsel , true redress - Death , death ; O amiable lovely death ! - In this exchange Constance does respond to him - she is listening , not lost in herself . ' No ' is strong and stops her flow ...
Indhold
Foundation Craft | 3 |
The Body | 15 |
The State of Readiness | 23 |
Copyright | |
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actor alliteration Antony audience Autolycus beat begin Benedick Berowne blank verse body breath character character's Claudio connected death Demetrius Desdemona Edgar Edmund emotional energy exercise explore eyes Falstaff father feel fool forward givens Gloucester Goneril Hamlet hath hear heart Heightened Circumstances Helena Hermia human husband Iago iambic iambic pentameter imagination irony Isabella journey Juliet King King Lear Lady Macbeth language Lear Leontes listen look Lysander meaning Merchant of Venice mouth move murder muscles Oberon Olivia onomatopoeia Othello pain passion pause Phoebe physical play Posthumus prose Puck push realise rehearsal release reveal rhyming couplet rhythm Richard Romeo Rosalind scene Second Circle sense Shakespeare Shylock Silvius soliloquy sound speak speech stay stop structure syllables tension thee thou thought Titania tongue Tybalt understand Viola vocal voice vowels walk wife Winter's Tale word