Speaking ShakespeareMethuen, 2002 - 355 sider This text journeys to the heart of speaking and acting Shakespeare. Starting with the givens of speaking verse through to the rehearsal of leading Shakespeare roles from Hamlet, King Lear, Richard III, Macbeth and others, this title unlocks some of the greatest challenges from a playwrite that any actor will encounter. With a mixture of anecdotes and clear instructions starting with the voice and moving on to major textual analysis, this text provides a guide to anyone who wants to start to understand how to act Shakespeare. |
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Side 32
... body . Get on to your hands and knees . Keeping your thighs unclamped , allow your bottom to collapse on to your feet . Release your body over until your head touches the floor . Keep your arms and shoulders relaxed . Breathe and you ...
... body . Get on to your hands and knees . Keeping your thighs unclamped , allow your bottom to collapse on to your feet . Release your body over until your head touches the floor . Keep your arms and shoulders relaxed . Breathe and you ...
Side 227
... body . Shakespeare would have known that the real Richard III's body was horribly mutilated after his defeat on Bosworth Field . Human remains are sacred to all of us . The remains of a leader have much wider impli- cations ...
... body . Shakespeare would have known that the real Richard III's body was horribly mutilated after his defeat on Bosworth Field . Human remains are sacred to all of us . The remains of a leader have much wider impli- cations ...
Side 233
... body that has no life in it , a body that represents a whole dynasty and symbolises a whole family's destruction and your own . Remember Anne's utter loneliness when she later submits to Richard . She has no one , and she needs a ...
... body that has no life in it , a body that represents a whole dynasty and symbolises a whole family's destruction and your own . Remember Anne's utter loneliness when she later submits to Richard . She has no one , and she needs a ...
Indhold
Foundation Craft | 3 |
The Body | 15 |
The State of Readiness | 23 |
Copyright | |
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actor alliteration Antony audience Autolycus beat begin Benedick Berowne blank verse body breath character character's Claudio connected death Demetrius Desdemona Edgar Edmund emotional energy exercise explore eyes Falstaff father feel fool forward givens Gloucester Goneril Hamlet hath hear heart Heightened Circumstances Helena Hermia human husband Iago iambic iambic pentameter imagination irony Isabella journey Juliet King King Lear Lady Macbeth language Lear Leontes listen look Lysander meaning Merchant of Venice mouth move murder muscles Oberon Olivia onomatopoeia Othello pain passion pause Phoebe physical play Posthumus prose Puck push realise rehearsal release reveal rhyming couplet rhythm Richard Romeo Rosalind scene Second Circle sense Shakespeare Shylock Silvius soliloquy sound speak speech stay stop structure syllables tension thee thou thought Titania tongue Tybalt understand Viola vocal voice vowels walk wife Winter's Tale word