Speaking ShakespeareMethuen, 2002 - 355 sider This text journeys to the heart of speaking and acting Shakespeare. Starting with the givens of speaking verse through to the rehearsal of leading Shakespeare roles from Hamlet, King Lear, Richard III, Macbeth and others, this title unlocks some of the greatest challenges from a playwrite that any actor will encounter. With a mixture of anecdotes and clear instructions starting with the voice and moving on to major textual analysis, this text provides a guide to anyone who wants to start to understand how to act Shakespeare. |
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Side 78
... Alliteration : the grouping of consonants together ; • Assonance : the grouping of vowels together ; • Onomatopoeia : a word that sounds and feels as it means , expressing by its sound the thing it represents . Some years ago I was ...
... Alliteration : the grouping of consonants together ; • Assonance : the grouping of vowels together ; • Onomatopoeia : a word that sounds and feels as it means , expressing by its sound the thing it represents . Some years ago I was ...
Side 80
... alliteration : ' gates ... gates ... against ' ; ' bawdy planet ... predominant , ' and " tis powerful , think it ' ; ' barricado for a belly ' ; ' bag and baggage ' . After all this turmoil , the last three words of the speech have ...
... alliteration : ' gates ... gates ... against ' ; ' bawdy planet ... predominant , ' and " tis powerful , think it ' ; ' barricado for a belly ' ; ' bag and baggage ' . After all this turmoil , the last three words of the speech have ...
Side 81
... alliteration , the pettiness of the onomatopoeia are silly . You don't need to be an expert to realise the silliness because it feels silly as you speak it . There's nothing shocking or offensive in the writing , it just doesn't work ...
... alliteration , the pettiness of the onomatopoeia are silly . You don't need to be an expert to realise the silliness because it feels silly as you speak it . There's nothing shocking or offensive in the writing , it just doesn't work ...
Indhold
Foundation Craft | 3 |
The Body | 15 |
The State of Readiness | 23 |
Copyright | |
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actor alliteration Antony audience Autolycus beat begin Benedick Berowne blank verse body breath character character's Claudio connected death Demetrius Desdemona Edgar Edmund emotional energy exercise explore eyes Falstaff father feel fool forward givens Gloucester Goneril Hamlet hath hear heart Heightened Circumstances Helena Hermia human husband Iago iambic iambic pentameter imagination irony Isabella journey Juliet King King Lear Lady Macbeth language Lear Leontes listen look Lysander meaning Merchant of Venice mouth move murder muscles Oberon Olivia onomatopoeia Othello pain passion pause Phoebe physical play Posthumus prose Puck push realise rehearsal release reveal rhyming couplet rhythm Richard Romeo Rosalind scene Second Circle sense Shakespeare Shylock Silvius soliloquy sound speak speech stay stop structure syllables tension thee thou thought Titania tongue Tybalt understand Viola vocal voice vowels walk wife Winter's Tale word