Speaking ShakespeareMethuen, 2002 - 355 sider This text journeys to the heart of speaking and acting Shakespeare. Starting with the givens of speaking verse through to the rehearsal of leading Shakespeare roles from Hamlet, King Lear, Richard III, Macbeth and others, this title unlocks some of the greatest challenges from a playwrite that any actor will encounter. With a mixture of anecdotes and clear instructions starting with the voice and moving on to major textual analysis, this text provides a guide to anyone who wants to start to understand how to act Shakespeare. |
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Side 316
... Viola : I can say little more than I have studied , and that question's out of my part . Good gentle one , give me modest assurance if you be the lady of the house , that I may proceed in my speech . Olivia : Are you a comedian ? Viola ...
... Viola : I can say little more than I have studied , and that question's out of my part . Good gentle one , give me modest assurance if you be the lady of the house , that I may proceed in my speech . Olivia : Are you a comedian ? Viola ...
Side 320
... Viola asks ' Are you the lady of the house ? ' Olivia cannot answer directly but uses another violent image in conceding : ' If I do not usurp myself , I am . ' Viola picks up on the phrase and for the first time in the scene talks to ...
... Viola asks ' Are you the lady of the house ? ' Olivia cannot answer directly but uses another violent image in conceding : ' If I do not usurp myself , I am . ' Viola picks up on the phrase and for the first time in the scene talks to ...
Side 321
Patsy Rodenburg. Alone with Olivia , Viola starts her speech and is rapidly interrupted . Olivia isn't as interested in the words as in the heart of the text . Viola brings Orsino's heart into the play and again they spar with Viola pick ...
Patsy Rodenburg. Alone with Olivia , Viola starts her speech and is rapidly interrupted . Olivia isn't as interested in the words as in the heart of the text . Viola brings Orsino's heart into the play and again they spar with Viola pick ...
Indhold
Foundation Craft | 3 |
The Body | 15 |
The State of Readiness | 23 |
Copyright | |
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actor alliteration Antony audience Autolycus beat begin Benedick Berowne blank verse body breath character character's Claudio connected death Demetrius Desdemona Edgar Edmund emotional energy exercise explore eyes Falstaff father feel fool forward givens Gloucester Goneril Hamlet hath hear heart Heightened Circumstances Helena Hermia human husband Iago iambic iambic pentameter imagination irony Isabella journey Juliet King King Lear Lady Macbeth language Lear Leontes listen look Lysander meaning Merchant of Venice mouth move murder muscles Oberon Olivia onomatopoeia Othello pain passion pause Phoebe physical play Posthumus prose Puck push realise rehearsal release reveal rhyming couplet rhythm Richard Romeo Rosalind scene Second Circle sense Shakespeare Shylock Silvius soliloquy sound speak speech stay stop structure syllables tension thee thou thought Titania tongue Tybalt understand Viola vocal voice vowels walk wife Winter's Tale word