Speaking ShakespeareMethuen, 2002 - 355 sider This text journeys to the heart of speaking and acting Shakespeare. Starting with the givens of speaking verse through to the rehearsal of leading Shakespeare roles from Hamlet, King Lear, Richard III, Macbeth and others, this title unlocks some of the greatest challenges from a playwrite that any actor will encounter. With a mixture of anecdotes and clear instructions starting with the voice and moving on to major textual analysis, this text provides a guide to anyone who wants to start to understand how to act Shakespeare. |
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Side 178
... remember ? Why , she would hang on him As if increase of appetite had grown - By what it fed on ; and yet , within a month – Let me not think on't . Frailty , thy name is woman ! – A little month , or ere those shoes were old With which ...
... remember ? Why , she would hang on him As if increase of appetite had grown - By what it fed on ; and yet , within a month – Let me not think on't . Frailty , thy name is woman ! – A little month , or ere those shoes were old With which ...
Side 234
Patsy Rodenburg. Remember too that a speech is never just a speech . It is a series of steps or stages on a journey ... remember , she is travelling on foot . This isn't a speech where it's useful for actors to 234 Speaking Shakespeare.
Patsy Rodenburg. Remember too that a speech is never just a speech . It is a series of steps or stages on a journey ... remember , she is travelling on foot . This isn't a speech where it's useful for actors to 234 Speaking Shakespeare.
Side 355
... Remember that the givens drive the thoughts and story forward . An actor who sees only the givens will give a clear rendering of a character , not an emotional one . The givens are the foundation stones that will hold you , the story ...
... Remember that the givens drive the thoughts and story forward . An actor who sees only the givens will give a clear rendering of a character , not an emotional one . The givens are the foundation stones that will hold you , the story ...
Indhold
Foundation Craft | 3 |
The Body | 15 |
The State of Readiness | 23 |
Copyright | |
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actor alliteration Antony audience Autolycus beat begin Benedick Berowne blank verse body breath character character's Claudio connected death Demetrius Desdemona Edgar Edmund emotional energy exercise explore eyes Falstaff father feel fool forward givens Gloucester Goneril Hamlet hath hear heart Heightened Circumstances Helena Hermia human husband Iago iambic iambic pentameter imagination irony Isabella journey Juliet King King Lear Lady Macbeth language Lear Leontes listen look Lysander meaning Merchant of Venice mouth move murder muscles Oberon Olivia onomatopoeia Othello pain passion pause Phoebe physical play Posthumus prose Puck push realise rehearsal release reveal rhyming couplet rhythm Richard Romeo Rosalind scene Second Circle sense Shakespeare Shylock Silvius soliloquy sound speak speech stay stop structure syllables tension thee thou thought Titania tongue Tybalt understand Viola vocal voice vowels walk wife Winter's Tale word