Speaking ShakespeareMethuen, 2002 - 355 sider This text journeys to the heart of speaking and acting Shakespeare. Starting with the givens of speaking verse through to the rehearsal of leading Shakespeare roles from Hamlet, King Lear, Richard III, Macbeth and others, this title unlocks some of the greatest challenges from a playwrite that any actor will encounter. With a mixture of anecdotes and clear instructions starting with the voice and moving on to major textual analysis, this text provides a guide to anyone who wants to start to understand how to act Shakespeare. |
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Side 129
... King of Navarre knows what Berowne is doing : ' How well he's read to reason against reading ' . Not only is Berowne well - informed , but his style is equally cultivated . The King doesn't attempt to rhyme here with Berowne . Maybe in ...
... King of Navarre knows what Berowne is doing : ' How well he's read to reason against reading ' . Not only is Berowne well - informed , but his style is equally cultivated . The King doesn't attempt to rhyme here with Berowne . Maybe in ...
Side 250
... King Lear has divided his kingdom between Goneril , his eldest daughter , and Regan , his second daughter . The division has shocked everyone : it had been the king's intention to divide his estate equally between all three of his chil ...
... King Lear has divided his kingdom between Goneril , his eldest daughter , and Regan , his second daughter . The division has shocked everyone : it had been the king's intention to divide his estate equally between all three of his chil ...
Side 345
... King Philip : I prithee , lady , go away with me . Constance : Lo now ! now see the issue of your peace ! King Philip : Patience , good lady ! Comfort , gentle Constance ! Constance : No , I defy all counsel , all redress , But that ...
... King Philip : I prithee , lady , go away with me . Constance : Lo now ! now see the issue of your peace ! King Philip : Patience , good lady ! Comfort , gentle Constance ! Constance : No , I defy all counsel , all redress , But that ...
Indhold
Foundation Craft | 3 |
The Body | 15 |
The State of Readiness | 23 |
Copyright | |
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actor alliteration Antony audience Autolycus beat begin Benedick Berowne blank verse body breath character character's Claudio connected death Demetrius Desdemona Edgar Edmund emotional energy exercise explore eyes Falstaff father feel fool forward givens Gloucester Goneril Hamlet hath hear heart Heightened Circumstances Helena Hermia human husband Iago iambic iambic pentameter imagination irony Isabella journey Juliet King King Lear Lady Macbeth language Lear Leontes listen look Lysander meaning Merchant of Venice mouth move murder muscles Oberon Olivia onomatopoeia Othello pain passion pause Phoebe physical play Posthumus prose Puck push realise rehearsal release reveal rhyming couplet rhythm Richard Romeo Rosalind scene Second Circle sense Shakespeare Shylock Silvius soliloquy sound speak speech stay stop structure syllables tension thee thou thought Titania tongue Tybalt understand Viola vocal voice vowels walk wife Winter's Tale word