The Intimate Art of Writing PoetryPrentice-Hall, 1980 - 297 sider Here is a comprehensive but personal poetry-writing guide that combines essential "how to" information with the intellectual and emotional stimulation needed to produce the proper environment for writing creatively. In these pages you'll discover unique methods that can help get a new writer started or remove an experienced poet's creative "block." You'll find suggestions that explain how you can produce effective self-criticism and make necessary revisions, along with methods that elicit valuable appraisal of your poetry from group discussions. And you'll find scores of examples from traditional poems to contemporary experiments that provide a historical as well as a technical framework within which you can strengthen your ability to create poetry. Finally, this unique handbook gives you a complete list of suggested readings and poetry recordings in addition to important information that reveals the most effective ways to submit your poetry to editors for publication. |
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Side 97
... syllables in English for each line in order to communicate the sense of the poems . In several cases , the equivalent line in English has taken up to fourteen syllables . A great deal of traditional Chinese poetry is composed of five - ...
... syllables in English for each line in order to communicate the sense of the poems . In several cases , the equivalent line in English has taken up to fourteen syllables . A great deal of traditional Chinese poetry is composed of five - ...
Side 145
... syllable or syllables left out of one foot may be added to another to equalize things ; this is called compensation . The usual method is to include the compensation in the same line as the omission , but sometimes the compensation ...
... syllable or syllables left out of one foot may be added to another to equalize things ; this is called compensation . The usual method is to include the compensation in the same line as the omission , but sometimes the compensation ...
Side 165
... syllables rather than either letters or words ( except , of course , when the word is one syllable ) . If you were ... syllables . In voicing syllables , you are pronouncing the combinations of letters , which is something for you to ...
... syllables rather than either letters or words ( except , of course , when the word is one syllable ) . If you were ... syllables . In voicing syllables , you are pronouncing the combinations of letters , which is something for you to ...
Indhold
The Engagement | 3 |
Brain and Heart | 15 |
Bone and Muscle | 62 |
Copyright | |
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