The Intimate Art of Writing PoetryPrentice-Hall, 1980 - 297 sider Here is a comprehensive but personal poetry-writing guide that combines essential "how to" information with the intellectual and emotional stimulation needed to produce the proper environment for writing creatively. In these pages you'll discover unique methods that can help get a new writer started or remove an experienced poet's creative "block." You'll find suggestions that explain how you can produce effective self-criticism and make necessary revisions, along with methods that elicit valuable appraisal of your poetry from group discussions. And you'll find scores of examples from traditional poems to contemporary experiments that provide a historical as well as a technical framework within which you can strengthen your ability to create poetry. Finally, this unique handbook gives you a complete list of suggested readings and poetry recordings in addition to important information that reveals the most effective ways to submit your poetry to editors for publication. |
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Side 75
... stanzas . Among the exceptions , we'd like to mention that many odes in English are composed of irregular stanzas in which rhyme , meter , and line length may be an intricate pattern , and the stanza may range from four to over twenty ...
... stanzas . Among the exceptions , we'd like to mention that many odes in English are composed of irregular stanzas in which rhyme , meter , and line length may be an intricate pattern , and the stanza may range from four to over twenty ...
Side 102
Ottone Riccio. The ballade has a strict form . It is composed of three stanzas of eight lines each ( occasionally the stanzas have ten lines ) and an envoi or ending half stanza ; the entire poem uses only three rhyme sounds . Each stanza ...
Ottone Riccio. The ballade has a strict form . It is composed of three stanzas of eight lines each ( occasionally the stanzas have ten lines ) and an envoi or ending half stanza ; the entire poem uses only three rhyme sounds . Each stanza ...
Side 110
... stanza . As a rule , the sestina is unrhymed ( although Swinburne tampered with that feature ) , but the pattern of ... stanza are going to be your tools throughout ; choose them carefully . To arrange the end words in order in the ...
... stanza . As a rule , the sestina is unrhymed ( although Swinburne tampered with that feature ) , but the pattern of ... stanza are going to be your tools throughout ; choose them carefully . To arrange the end words in order in the ...
Indhold
The Engagement | 3 |
Brain and Heart | 15 |
Bone and Muscle | 62 |
Copyright | |
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