The Intimate Art of Writing PoetryPrentice-Hall, 1980 - 297 sider Here is a comprehensive but personal poetry-writing guide that combines essential "how to" information with the intellectual and emotional stimulation needed to produce the proper environment for writing creatively. In these pages you'll discover unique methods that can help get a new writer started or remove an experienced poet's creative "block." You'll find suggestions that explain how you can produce effective self-criticism and make necessary revisions, along with methods that elicit valuable appraisal of your poetry from group discussions. And you'll find scores of examples from traditional poems to contemporary experiments that provide a historical as well as a technical framework within which you can strengthen your ability to create poetry. Finally, this unique handbook gives you a complete list of suggested readings and poetry recordings in addition to important information that reveals the most effective ways to submit your poetry to editors for publication. |
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Side 18
... reader was kept out of the material . The real poet handles personal material in such a way that it achieves a universal quality that includes the reader in the work's experience . By all means , avail yourself of the treasures your ...
... reader was kept out of the material . The real poet handles personal material in such a way that it achieves a universal quality that includes the reader in the work's experience . By all means , avail yourself of the treasures your ...
Side 199
... reader was led to expect . Verbal ( or rhetorical ) irony is an expression in which the implied attitudes or assessments are opposed to those expressed literally . Your success with this figure will rely on the reader's ability to ...
... reader was led to expect . Verbal ( or rhetorical ) irony is an expression in which the implied attitudes or assessments are opposed to those expressed literally . Your success with this figure will rely on the reader's ability to ...
Side 223
... reader or listener , no amount of preaching , sermonizing , or editorializing is going to replace the poetry you hoped was in the composition . You must involve the listener / reader totally , the senses and emotions as well as the ...
... reader or listener , no amount of preaching , sermonizing , or editorializing is going to replace the poetry you hoped was in the composition . You must involve the listener / reader totally , the senses and emotions as well as the ...
Indhold
The Engagement | 3 |
Brain and Heart | 15 |
Bone and Muscle | 62 |
Copyright | |
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