The Intimate Art of Writing PoetryPrentice-Hall, 1980 - 297 sider Here is a comprehensive but personal poetry-writing guide that combines essential "how to" information with the intellectual and emotional stimulation needed to produce the proper environment for writing creatively. In these pages you'll discover unique methods that can help get a new writer started or remove an experienced poet's creative "block." You'll find suggestions that explain how you can produce effective self-criticism and make necessary revisions, along with methods that elicit valuable appraisal of your poetry from group discussions. And you'll find scores of examples from traditional poems to contemporary experiments that provide a historical as well as a technical framework within which you can strengthen your ability to create poetry. Finally, this unique handbook gives you a complete list of suggested readings and poetry recordings in addition to important information that reveals the most effective ways to submit your poetry to editors for publication. |
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Side 244
... poems to look crowded . For all but the most traditional and old - fash- ioned magazines , it's perfectly acceptable to single - space your poems . For those poems that require more than one page , you need put only your last name , the ...
... poems to look crowded . For all but the most traditional and old - fash- ioned magazines , it's perfectly acceptable to single - space your poems . For those poems that require more than one page , you need put only your last name , the ...
Side 286
... poems , 212 Development : of diction of the senses , 172 ; of poetry , 28 , 29 , 64 , 90 ; of projective verse , 131 ; of villanelle , 107 ; of vocabulary diction , 172 ; in writing poems , 209 , 211 , 216 , 224 Diagram , 64 sestina ...
... poems , 212 Development : of diction of the senses , 172 ; of poetry , 28 , 29 , 64 , 90 ; of projective verse , 131 ; of villanelle , 107 ; of vocabulary diction , 172 ; in writing poems , 209 , 211 , 216 , 224 Diagram , 64 sestina ...
Side 288
... ( poem ) , 141-42 Hopkins , Gerard Manley , 93 , 117 , 143 , 148-50 , 179 , 184 ( poems ) , 91-92 , 93-94 , 149-50 Horace , 82 , 84 , 137 ( poem ) , 84-85 Houêdard , Dom Sylvester , 123 Howes , Barbara , 101 Humor , 55-56 in irony , 199 ...
... ( poem ) , 141-42 Hopkins , Gerard Manley , 93 , 117 , 143 , 148-50 , 179 , 184 ( poems ) , 91-92 , 93-94 , 149-50 Horace , 82 , 84 , 137 ( poem ) , 84-85 Houêdard , Dom Sylvester , 123 Howes , Barbara , 101 Humor , 55-56 in irony , 199 ...
Indhold
The Engagement | 3 |
Brain and Heart | 15 |
Bone and Muscle | 62 |
Copyright | |
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accept achieve anapest audience ballad called century concrete poetry consonants contemporary couplet critical diction dramatic dreams Dylan Thomas editor effect elements emotional end words English example experience expression eyes feel feet figures of speech free verse full rhyme haiku Hellric Publications iamb iambic idea images involved language letters listen look Lord Randal lyric magazine Marianne Moore material meaning metaphor meter metrical mind mood narrative nature occurs pauses phrases poem poem's poet poet's projective verse prose published quatrain reader Reprinted by permission Review rhyme scheme rhyme sounds rhythm rhythmic SASE sense sestet sestina shape songs sonnet form spondee sprung rhythm stanza stressed structure style subconscious syllables symbols technique tercet term theme there's things thou tion tone traditional trochee turn unstressed syllables variations verse paragraph villanelle vowels W. H. Auden workshop writing York