The Intimate Art of Writing PoetryPrentice-Hall, 1980 - 297 sider Here is a comprehensive but personal poetry-writing guide that combines essential "how to" information with the intellectual and emotional stimulation needed to produce the proper environment for writing creatively. In these pages you'll discover unique methods that can help get a new writer started or remove an experienced poet's creative "block." You'll find suggestions that explain how you can produce effective self-criticism and make necessary revisions, along with methods that elicit valuable appraisal of your poetry from group discussions. And you'll find scores of examples from traditional poems to contemporary experiments that provide a historical as well as a technical framework within which you can strengthen your ability to create poetry. Finally, this unique handbook gives you a complete list of suggested readings and poetry recordings in addition to important information that reveals the most effective ways to submit your poetry to editors for publication. |
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Side 57
... kind of material is as much a process as is the handling of material furnished in any other manner . Process implies selection , evaluation , and other judg- mental procedures , as well as movement toward a result - in this case , the ...
... kind of material is as much a process as is the handling of material furnished in any other manner . Process implies selection , evaluation , and other judg- mental procedures , as well as movement toward a result - in this case , the ...
Side 129
... kind of projec- tive verse , written by the author : Thin Ice I walk in a dead man's skin today the sun bounces spent light in solitude the ice cracks spiderly yesterday to tomorrow a dead man's eye the star alive spears the lunge Bone ...
... kind of projec- tive verse , written by the author : Thin Ice I walk in a dead man's skin today the sun bounces spent light in solitude the ice cracks spiderly yesterday to tomorrow a dead man's eye the star alive spears the lunge Bone ...
Side 218
... kind . " Nothing can be one of a kind and more or less so . Sometimes this misuse isn't quite as obvious ; be careful in using comparative and superlative modifiers - be sure the words to which they are to be applied can accept them ...
... kind . " Nothing can be one of a kind and more or less so . Sometimes this misuse isn't quite as obvious ; be careful in using comparative and superlative modifiers - be sure the words to which they are to be applied can accept them ...
Indhold
The Engagement | 3 |
Brain and Heart | 15 |
Bone and Muscle | 62 |
Copyright | |
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