The Intimate Art of Writing PoetryPrentice-Hall, 1980 - 297 sider Here is a comprehensive but personal poetry-writing guide that combines essential "how to" information with the intellectual and emotional stimulation needed to produce the proper environment for writing creatively. In these pages you'll discover unique methods that can help get a new writer started or remove an experienced poet's creative "block." You'll find suggestions that explain how you can produce effective self-criticism and make necessary revisions, along with methods that elicit valuable appraisal of your poetry from group discussions. And you'll find scores of examples from traditional poems to contemporary experiments that provide a historical as well as a technical framework within which you can strengthen your ability to create poetry. Finally, this unique handbook gives you a complete list of suggested readings and poetry recordings in addition to important information that reveals the most effective ways to submit your poetry to editors for publication. |
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Side 23
... hand held bleeding against the spin of the man in front I have seen his glazed look snip off my dress my skin I shudder as scaled with sperm wasted in washrooms his stiff hand he would now have me touch my own hand still 23.
... hand held bleeding against the spin of the man in front I have seen his glazed look snip off my dress my skin I shudder as scaled with sperm wasted in washrooms his stiff hand he would now have me touch my own hand still 23.
Side 52
... hand too much . Which mannerly devotion shows in this ; For saints have hands that pilgrims ' hands do touch , And palm to palm is holy palmer's kiss . ROMEO Have not saints lips , and holy palmers , too ? JULIET Ay , pilgrim , lips ...
... hand too much . Which mannerly devotion shows in this ; For saints have hands that pilgrims ' hands do touch , And palm to palm is holy palmer's kiss . ROMEO Have not saints lips , and holy palmers , too ? JULIET Ay , pilgrim , lips ...
Side 230
... hand holds the pencil and is poised over the pad . Stare at the sheet . Your other arm is down by your side . Sit in your chair without strain of any sort . Think of nothing . Become completely open and nondirectional . Your hand will ...
... hand holds the pencil and is poised over the pad . Stare at the sheet . Your other arm is down by your side . Sit in your chair without strain of any sort . Think of nothing . Become completely open and nondirectional . Your hand will ...
Indhold
The Engagement | 3 |
Brain and Heart | 15 |
Bone and Muscle | 62 |
Copyright | |
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accept achieve anapest audience ballad called century concrete poetry consonants contemporary couplet critical diction dramatic dreams Dylan Thomas editor effect elements emotional end words English example experience expression eyes feel feet figures of speech free verse full rhyme haiku Hellric Publications iamb iambic idea images involved language letters listen look Lord Randal lyric magazine Marianne Moore material meaning metaphor meter metrical mind mood narrative nature occurs pauses phrases poem poem's poet poet's projective verse prose published quatrain reader Reprinted by permission Review rhyme scheme rhyme sounds rhythm rhythmic SASE sense sestet sestina shape songs sonnet form spondee sprung rhythm stanza stressed structure style subconscious syllables symbols technique tercet term theme there's things thou tion tone traditional trochee turn unstressed syllables variations verse paragraph villanelle vowels W. H. Auden workshop writing York