The Intimate Art of Writing PoetryPrentice-Hall, 1980 - 297 sider Here is a comprehensive but personal poetry-writing guide that combines essential "how to" information with the intellectual and emotional stimulation needed to produce the proper environment for writing creatively. In these pages you'll discover unique methods that can help get a new writer started or remove an experienced poet's creative "block." You'll find suggestions that explain how you can produce effective self-criticism and make necessary revisions, along with methods that elicit valuable appraisal of your poetry from group discussions. And you'll find scores of examples from traditional poems to contemporary experiments that provide a historical as well as a technical framework within which you can strengthen your ability to create poetry. Finally, this unique handbook gives you a complete list of suggested readings and poetry recordings in addition to important information that reveals the most effective ways to submit your poetry to editors for publication. |
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Side 82
... direction during the strophe , in the opposite direction during the antistrophe , and standing still for the epode . The greek terms strophe , antistrophe , and epode are , in English , also called the turn , the counter - turn , and ...
... direction during the strophe , in the opposite direction during the antistrophe , and standing still for the epode . The greek terms strophe , antistrophe , and epode are , in English , also called the turn , the counter - turn , and ...
Side 213
... direction of revision is always toward improvement , which is in itself sufficient justification for its pursuit . And the writer should derive as much pleasure in working and reworking of language as in expressing his or her theme ...
... direction of revision is always toward improvement , which is in itself sufficient justification for its pursuit . And the writer should derive as much pleasure in working and reworking of language as in expressing his or her theme ...
Side 224
... direction . The readers are participants in the experi- ence of the poem , too — active participants . Let them do their own interpreting . Don't explain in succeeding phrases , how- ever subtly , the images they've just read . Let the ...
... direction . The readers are participants in the experi- ence of the poem , too — active participants . Let them do their own interpreting . Don't explain in succeeding phrases , how- ever subtly , the images they've just read . Let the ...
Indhold
The Engagement | 3 |
Brain and Heart | 15 |
Bone and Muscle | 62 |
Copyright | |
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