The Intimate Art of Writing PoetryPrentice-Hall, 1980 - 297 sider Here is a comprehensive but personal poetry-writing guide that combines essential "how to" information with the intellectual and emotional stimulation needed to produce the proper environment for writing creatively. In these pages you'll discover unique methods that can help get a new writer started or remove an experienced poet's creative "block." You'll find suggestions that explain how you can produce effective self-criticism and make necessary revisions, along with methods that elicit valuable appraisal of your poetry from group discussions. And you'll find scores of examples from traditional poems to contemporary experiments that provide a historical as well as a technical framework within which you can strengthen your ability to create poetry. Finally, this unique handbook gives you a complete list of suggested readings and poetry recordings in addition to important information that reveals the most effective ways to submit your poetry to editors for publication. |
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Side 81
Ottone Riccio. through the centuries . Here is a loosely rhymed example occurring in the latter part of the nineteenth century : Emily Dickinson # 712 Because I could not stop for Death— He kindly stopped for me- The Carriage held but ...
Ottone Riccio. through the centuries . Here is a loosely rhymed example occurring in the latter part of the nineteenth century : Emily Dickinson # 712 Because I could not stop for Death— He kindly stopped for me- The Carriage held but ...
Side 91
... century ) From Sonnets from the Portuguese ( XXVI ) I lived with visions for my company Instead of men and women , years ago , And found them gentle mates , nor thought to know A sweeter music than they played to me . But soon their ...
... century ) From Sonnets from the Portuguese ( XXVI ) I lived with visions for my company Instead of men and women , years ago , And found them gentle mates , nor thought to know A sweeter music than they played to me . But soon their ...
Side 101
... century ) . His great- est imitators were among the Victorian poets , who used French forms largely for light verse . In our century , however , these forms have been used with serious intent , and this has changed the forms ' character ...
... century ) . His great- est imitators were among the Victorian poets , who used French forms largely for light verse . In our century , however , these forms have been used with serious intent , and this has changed the forms ' character ...
Indhold
The Engagement | 3 |
Brain and Heart | 15 |
Bone and Muscle | 62 |
Copyright | |
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