Discourse, Bind 32,Oplag 22010 |
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Side 182
... social realities by local audiences who situate themselves as Mexi- can . I argue that films that address violence against women in the abstract lack the political awareness of particular manifestations of violence that might generate ...
... social realities by local audiences who situate themselves as Mexi- can . I argue that films that address violence against women in the abstract lack the political awareness of particular manifestations of violence that might generate ...
Side 238
... social expe- rience and as a mode of artistic expression . As a mode of social experience , melodrama is characterized by a sense of discontinuity that first resulted from the intense spiritual and social crises of the nineteenth ...
... social expe- rience and as a mode of artistic expression . As a mode of social experience , melodrama is characterized by a sense of discontinuity that first resulted from the intense spiritual and social crises of the nineteenth ...
Side 241
... social experi- ence , problems of cultural translation disappear . Modes act historically but not because they mediate aesthetic forms and social experience : rather than historical forms of per- ception and expression , modes are ...
... social experi- ence , problems of cultural translation disappear . Modes act historically but not because they mediate aesthetic forms and social experience : rather than historical forms of per- ception and expression , modes are ...
Indhold
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Copyright | |
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aesthetic Alfonso Cuarón American Amores Perros argues Asian audiences Barney's Benthien body Brooks camera characters Children Children of Men contemporary context CREMASTER critical critique Cruz Cruz's Cuarón's cultural Deleuze Derrida digital art digital image Discourse dramatic dystopian Eliot's essay ethical experience figure film film's filmic Foucault Freud function Gary Gilmore Gilles Deleuze Giroux Gledhill global Hansen historical huella and Perfume human Ibid ideas identity Imagination internal limit Iwamura Kwai Chang Caine maître d Matthew Barney Mavor melo melodrama melodramatic mode Mexican Mexico modern moral mother narrative objects Oriental Monk Perfume de Violeta political postmodern problem produced Prosthetic Head queer quotation rape reality Reas representation Sade Sade's scene screen shots Silvano Sin dejar huella Slavoj Žižek social sociopolitical space specific spiritual Stelarc Stella Dallas suffering symbolic Theo theory tion touch trans Transgression University Press utopia viewer virtual virtue and evil visual Waste Land Yessica York