Discourse, Bind 32,Oplag 22010 |
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Side 197
... shows that space and nature are variations of each other but also that organic and inorganic forms are con- nected . The work shows fuzzy filaments of unequal lengths radiat- ing magnetically from central nodes , recalling crop circles ...
... shows that space and nature are variations of each other but also that organic and inorganic forms are con- nected . The work shows fuzzy filaments of unequal lengths radiat- ing magnetically from central nodes , recalling crop circles ...
Side 198
... shows how much room there is within a limit . Every variation is different , but the difference specific to the ... show an internal limit that allows for the unfolding of endless variations , of iterations of the objects produced in the ...
... shows how much room there is within a limit . Every variation is different , but the difference specific to the ... show an internal limit that allows for the unfolding of endless variations , of iterations of the objects produced in the ...
Side 248
... shows how the story of a vain , murderous son conceals the story of a tyrannical father . The film is about the tyranny of a traditional understanding of virtue : it not only redefines virtue and evil in sec- ular terms but also thinks ...
... shows how the story of a vain , murderous son conceals the story of a tyrannical father . The film is about the tyranny of a traditional understanding of virtue : it not only redefines virtue and evil in sec- ular terms but also thinks ...
Indhold
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Copyright | |
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aesthetic Alfonso Cuarón American Amores Perros argues Asian audiences Barney's Benthien body Brooks camera characters Children Children of Men contemporary context CREMASTER critical critique Cruz Cruz's Cuarón's cultural Deleuze Derrida digital art digital image Discourse dramatic dystopian Eliot's essay ethical experience figure film film's filmic Foucault Freud function Gary Gilmore Gilles Deleuze Giroux Gledhill global Hansen historical huella and Perfume human Ibid ideas identity Imagination internal limit Iwamura Kwai Chang Caine maître d Matthew Barney Mavor melo melodrama melodramatic mode Mexican Mexico modern moral mother narrative objects Oriental Monk Perfume de Violeta political postmodern problem produced Prosthetic Head queer quotation rape reality Reas representation Sade Sade's scene screen shots Silvano Sin dejar huella Slavoj Žižek social sociopolitical space specific spiritual Stelarc Stella Dallas suffering symbolic Theo theory tion touch trans Transgression University Press utopia viewer virtual virtue and evil visual Waste Land Yessica York