Discourse, Bind 32,Oplag 22010 |
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Side 157
... Queer Objects , Queer Cinema How might we consider this way of moving , cinematically , to be a kind of queer cinema ? Most obviously , we are presented with a body that , as identity , does not occupy a " space " within a semantic ...
... Queer Objects , Queer Cinema How might we consider this way of moving , cinematically , to be a kind of queer cinema ? Most obviously , we are presented with a body that , as identity , does not occupy a " space " within a semantic ...
Side 165
... queer theory addresses the body in relation to its signifier , both mapping the totality of the signifier's ... queer signi- fication that does not just refer to bodies , but to objects in general . We might begin to see objects enfolded ...
... queer theory addresses the body in relation to its signifier , both mapping the totality of the signifier's ... queer signi- fication that does not just refer to bodies , but to objects in general . We might begin to see objects enfolded ...
Side 167
... queer subject is crucial to the continuing democratization of queer politics . ( " Critically Queer , " in Bodies That Matter : On the Discursive Limits of " Sex " [ New York : Routledge , 1993 ] , 223–42 , quotation on 227 ) 11 After ...
... queer subject is crucial to the continuing democratization of queer politics . ( " Critically Queer , " in Bodies That Matter : On the Discursive Limits of " Sex " [ New York : Routledge , 1993 ] , 223–42 , quotation on 227 ) 11 After ...
Indhold
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Copyright | |
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aesthetic Alfonso Cuarón American Amores Perros argues Asian audiences Barney's Benthien body Brooks camera characters Children Children of Men contemporary context CREMASTER critical critique Cruz Cruz's Cuarón's cultural Deleuze Derrida digital art digital image Discourse dramatic dystopian Eliot's essay ethical experience figure film film's filmic Foucault Freud function Gary Gilmore Gilles Deleuze Giroux Gledhill global Hansen historical huella and Perfume human Ibid ideas identity Imagination internal limit Iwamura Kwai Chang Caine maître d Matthew Barney Mavor melo melodrama melodramatic mode Mexican Mexico modern moral mother narrative objects Oriental Monk Perfume de Violeta political postmodern problem produced Prosthetic Head queer quotation rape reality Reas representation Sade Sade's scene screen shots Silvano Sin dejar huella Slavoj Žižek social sociopolitical space specific spiritual Stelarc Stella Dallas suffering symbolic Theo theory tion touch trans Transgression University Press utopia viewer virtual virtue and evil visual Waste Land Yessica York