Discourse, Bind 32,Oplag 22010 |
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Side 151
... material that will not signify within this symbolic universe ; this material seems point- edly filmic . That is , within the mise - en - scène there is an excessive show of film as both lubricious coating and projected phenomenon . Thus ...
... material that will not signify within this symbolic universe ; this material seems point- edly filmic . That is , within the mise - en - scène there is an excessive show of film as both lubricious coating and projected phenomenon . Thus ...
Side 164
... material that does not always signify properly , a queer material , a stutter in the dyad of observer and observed . Further , we see , here , a building relationship between us and the curtain of light over " there " -a ramshackle and ...
... material that does not always signify properly , a queer material , a stutter in the dyad of observer and observed . Further , we see , here , a building relationship between us and the curtain of light over " there " -a ramshackle and ...
Side 165
... material begins to signify ? " 24 It might be , then , that material's erratic sign , lining cinema's narrative , would produce widespread organiza- tional crisis — a musculature disengaging from task , a language withdrawing from its ...
... material begins to signify ? " 24 It might be , then , that material's erratic sign , lining cinema's narrative , would produce widespread organiza- tional crisis — a musculature disengaging from task , a language withdrawing from its ...
Indhold
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Copyright | |
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aesthetic Alfonso Cuarón American Amores Perros argues Asian audiences Barney's Benthien body Brooks camera characters Children Children of Men contemporary context CREMASTER critical critique Cruz Cruz's Cuarón's cultural Deleuze Derrida digital art digital image Discourse dramatic dystopian Eliot's essay ethical experience figure film film's filmic Foucault Freud function Gary Gilmore Gilles Deleuze Giroux Gledhill global Hansen historical huella and Perfume human Ibid ideas identity Imagination internal limit Iwamura Kwai Chang Caine maître d Matthew Barney Mavor melo melodrama melodramatic mode Mexican Mexico modern moral mother narrative objects Oriental Monk Perfume de Violeta political postmodern problem produced Prosthetic Head queer quotation rape reality Reas representation Sade Sade's scene screen shots Silvano Sin dejar huella Slavoj Žižek social sociopolitical space specific spiritual Stelarc Stella Dallas suffering symbolic Theo theory tion touch trans Transgression University Press utopia viewer virtual virtue and evil visual Waste Land Yessica York