Discourse, Bind 32,Oplag 22010 |
Fra bogen
Resultater 1-3 af 19
Side 191
... limit within us and designates us as a limit . " The internal limit is a rhetorical principle that generates or defines and continuously stages the self or the object . By mak- ing digital art independent of the outside , the notion of ...
... limit within us and designates us as a limit . " The internal limit is a rhetorical principle that generates or defines and continuously stages the self or the object . By mak- ing digital art independent of the outside , the notion of ...
Side 192
... limits ( in a dialectical or revolutionary world ) ; and exactly for this reason , its role is to measure the excessive distance that it opens at the heart of the limit and to trace the flashing line that causes the limit to arise ...
... limits ( in a dialectical or revolutionary world ) ; and exactly for this reason , its role is to measure the excessive distance that it opens at the heart of the limit and to trace the flashing line that causes the limit to arise ...
Side 194
... Limit : Software Structures The structure of bounded space produced by an internal limit is part of contemporary thinking and helps determine the construc- tion of recent digital art . My exemplary case study is Software Struc- tures ...
... Limit : Software Structures The structure of bounded space produced by an internal limit is part of contemporary thinking and helps determine the construc- tion of recent digital art . My exemplary case study is Software Struc- tures ...
Indhold
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Copyright | |
3 andre sektioner vises ikke
Andre udgaver - Se alle
Almindelige termer og sætninger
aesthetic Alfonso Cuarón American Amores Perros argues Asian audiences Barney's Benthien body Brooks camera characters Children Children of Men contemporary context CREMASTER critical critique Cruz Cruz's Cuarón's cultural Deleuze Derrida digital art digital image Discourse dramatic dystopian Eliot's essay ethical experience figure film film's filmic Foucault Freud function Gary Gilmore Gilles Deleuze Giroux Gledhill global Hansen historical huella and Perfume human Ibid ideas identity Imagination internal limit Iwamura Kwai Chang Caine maître d Matthew Barney Mavor melo melodrama melodramatic mode Mexican Mexico modern moral mother narrative objects Oriental Monk Perfume de Violeta political postmodern problem produced Prosthetic Head queer quotation rape reality Reas representation Sade Sade's scene screen shots Silvano Sin dejar huella Slavoj Žižek social sociopolitical space specific spiritual Stelarc Stella Dallas suffering symbolic Theo theory tion touch trans Transgression University Press utopia viewer virtual virtue and evil visual Waste Land Yessica York