Discourse, Bind 32,Oplag 22010 |
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Side 177
... historical or contemporary event or process . At the level of representation , Sin dejar huella and Perfume de Violeta generalize the pervasive practice of violence against women that permeates most societies across the globe . However ...
... historical or contemporary event or process . At the level of representation , Sin dejar huella and Perfume de Violeta generalize the pervasive practice of violence against women that permeates most societies across the globe . However ...
Side 239
... historical specificity but rather in the way in which he specifies this historical moment . Rothman exemplifies this argument by not- ing that Brooks leaves out the conversation between Europe and India in his model of melodrama ...
... historical specificity but rather in the way in which he specifies this historical moment . Rothman exemplifies this argument by not- ing that Brooks leaves out the conversation between Europe and India in his model of melodrama ...
Side 245
... historical conditions ; instead , it requires an understanding of suffering as a result of reigning ( but otherwise transient ) ideas . In other words , the only historicity that melodrama requires is the historicity of ideas and values ...
... historical conditions ; instead , it requires an understanding of suffering as a result of reigning ( but otherwise transient ) ideas . In other words , the only historicity that melodrama requires is the historicity of ideas and values ...
Indhold
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Copyright | |
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aesthetic Alfonso Cuarón American Amores Perros argues Asian audiences Barney's Benthien body Brooks camera characters Children Children of Men contemporary context CREMASTER critical critique Cruz Cruz's Cuarón's cultural Deleuze Derrida digital art digital image Discourse dramatic dystopian Eliot's essay ethical experience figure film film's filmic Foucault Freud function Gary Gilmore Gilles Deleuze Giroux Gledhill global Hansen historical huella and Perfume human Ibid ideas identity Imagination internal limit Iwamura Kwai Chang Caine maître d Matthew Barney Mavor melo melodrama melodramatic mode Mexican Mexico modern moral mother narrative objects Oriental Monk Perfume de Violeta political postmodern problem produced Prosthetic Head queer quotation rape reality Reas representation Sade Sade's scene screen shots Silvano Sin dejar huella Slavoj Žižek social sociopolitical space specific spiritual Stelarc Stella Dallas suffering symbolic Theo theory tion touch trans Transgression University Press utopia viewer virtual virtue and evil visual Waste Land Yessica York