Discourse, Bind 32,Oplag 22010 |
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Side 200
... Head ( 2003 ) , for example , is a head shaped after Stelarc's ; it is animated by a text - to - speech computer program that uses a database of expressions and can , in principle , react to speech by its interlocutor ( its ability ...
... Head ( 2003 ) , for example , is a head shaped after Stelarc's ; it is animated by a text - to - speech computer program that uses a database of expressions and can , in principle , react to speech by its interlocutor ( its ability ...
Side 201
... Head : Intelligence , Awareness and Agency , " Stelarc articu- lates this instrumental interest and also suggests a more personal side to the project : the head duplicates him . Such head - agents can do things in our place : In recent ...
... Head : Intelligence , Awareness and Agency , " Stelarc articu- lates this instrumental interest and also suggests a more personal side to the project : the head duplicates him . Such head - agents can do things in our place : In recent ...
Side 210
... ( heads , faces ) and the affect it produces are bracketed out by the premise of this claim . 62 Stelarc , Prosthetic Head , 2003-4 . See also note 59 . 63 Stelarc , " Prosthetic Head : Intelligence , Awareness and Agency , " CTheory , 19 ...
... ( heads , faces ) and the affect it produces are bracketed out by the premise of this claim . 62 Stelarc , Prosthetic Head , 2003-4 . See also note 59 . 63 Stelarc , " Prosthetic Head : Intelligence , Awareness and Agency , " CTheory , 19 ...
Indhold
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Copyright | |
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aesthetic Alfonso Cuarón American Amores Perros argues Asian audiences Barney's Benthien body Brooks camera characters Children Children of Men contemporary context CREMASTER critical critique Cruz Cruz's Cuarón's cultural Deleuze Derrida digital art digital image Discourse dramatic dystopian Eliot's essay ethical experience figure film film's filmic Foucault Freud function Gary Gilmore Gilles Deleuze Giroux Gledhill global Hansen historical huella and Perfume human Ibid ideas identity Imagination internal limit Iwamura Kwai Chang Caine maître d Matthew Barney Mavor melo melodrama melodramatic mode Mexican Mexico modern moral mother narrative objects Oriental Monk Perfume de Violeta political postmodern problem produced Prosthetic Head queer quotation rape reality Reas representation Sade Sade's scene screen shots Silvano Sin dejar huella Slavoj Žižek social sociopolitical space specific spiritual Stelarc Stella Dallas suffering symbolic Theo theory tion touch trans Transgression University Press utopia viewer virtual virtue and evil visual Waste Land Yessica York