Discourse, Bind 32,Oplag 22010 |
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Side 213
... Future Film ” —through a critical reading of the themes and referential aesthetics of T. S. Eliot's The Waste Land . Expanding on the diverse interpenetrations of the film's ideologi- cal and aesthetic critiques , I argue that Cuarón's ...
... Future Film ” —through a critical reading of the themes and referential aesthetics of T. S. Eliot's The Waste Land . Expanding on the diverse interpenetrations of the film's ideologi- cal and aesthetic critiques , I argue that Cuarón's ...
Side 228
... future . Hope , that we might be able to establish a vision of a global society , informed by civil liberties and ... future of the Terminator series , which Kevin Pask has discussed as ideologically evading “ human respon- sibility for ...
... future . Hope , that we might be able to establish a vision of a global society , informed by civil liberties and ... future of the Terminator series , which Kevin Pask has discussed as ideologically evading “ human respon- sibility for ...
Side 231
... Future , " Film Quarterly 44 , no . 1 ( 1990 ) : 2–13 . Glass defines the New Bad Future ( NBF ) film , which depicts a future in the grip of social decay : The NBF scenario typically embraces urban expansion on a monstrous scale ...
... Future , " Film Quarterly 44 , no . 1 ( 1990 ) : 2–13 . Glass defines the New Bad Future ( NBF ) film , which depicts a future in the grip of social decay : The NBF scenario typically embraces urban expansion on a monstrous scale ...
Indhold
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Copyright | |
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aesthetic Alfonso Cuarón American Amores Perros argues Asian audiences Barney's Benthien body Brooks camera characters Children Children of Men contemporary context CREMASTER critical critique Cruz Cruz's Cuarón's cultural Deleuze Derrida digital art digital image Discourse dramatic dystopian Eliot's essay ethical experience figure film film's filmic Foucault Freud function Gary Gilmore Gilles Deleuze Giroux Gledhill global Hansen historical huella and Perfume human Ibid ideas identity Imagination internal limit Iwamura Kwai Chang Caine maître d Matthew Barney Mavor melo melodrama melodramatic mode Mexican Mexico modern moral mother narrative objects Oriental Monk Perfume de Violeta political postmodern problem produced Prosthetic Head queer quotation rape reality Reas representation Sade Sade's scene screen shots Silvano Sin dejar huella Slavoj Žižek social sociopolitical space specific spiritual Stelarc Stella Dallas suffering symbolic Theo theory tion touch trans Transgression University Press utopia viewer virtual virtue and evil visual Waste Land Yessica York