Discourse, Bind 32,Oplag 22010 |
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Side 192
... Pleasure Principle , stands near the other end of modernity , at a moment when the utopian architecture of return - to - self and of self - as - return , which helped shore up the self , is defended against the growing suspicion that it ...
... Pleasure Principle , stands near the other end of modernity , at a moment when the utopian architecture of return - to - self and of self - as - return , which helped shore up the self , is defended against the growing suspicion that it ...
Side 193
suggests that there is something beyond the pleasure principle , the principle of mastery and recovery of the same . Freud speculates that that something is the death drive embodied in repetition . According to Derrida , who reads this ...
suggests that there is something beyond the pleasure principle , the principle of mastery and recovery of the same . Freud speculates that that something is the death drive embodied in repetition . According to Derrida , who reads this ...
Side 208
... Pleasure Principle , in The Standard Edition of the Complete Psychological Works of Sigmund Freud , vol . 18 : “ Beyond the Pleasure Principle , ” " Group Psychology , " and Other Works , trans . James Strachey , 24 vols . ( London ...
... Pleasure Principle , in The Standard Edition of the Complete Psychological Works of Sigmund Freud , vol . 18 : “ Beyond the Pleasure Principle , ” " Group Psychology , " and Other Works , trans . James Strachey , 24 vols . ( London ...
Indhold
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Copyright | |
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aesthetic Alfonso Cuarón American Amores Perros argues Asian audiences Barney's Benthien body Brooks camera characters Children Children of Men contemporary context CREMASTER critical critique Cruz Cruz's Cuarón's cultural Deleuze Derrida digital art digital image Discourse dramatic dystopian Eliot's essay ethical experience figure film film's filmic Foucault Freud function Gary Gilmore Gilles Deleuze Giroux Gledhill global Hansen historical huella and Perfume human Ibid ideas identity Imagination internal limit Iwamura Kwai Chang Caine maître d Matthew Barney Mavor melo melodrama melodramatic mode Mexican Mexico modern moral mother narrative objects Oriental Monk Perfume de Violeta political postmodern problem produced Prosthetic Head queer quotation rape reality Reas representation Sade Sade's scene screen shots Silvano Sin dejar huella Slavoj Žižek social sociopolitical space specific spiritual Stelarc Stella Dallas suffering symbolic Theo theory tion touch trans Transgression University Press utopia viewer virtual virtue and evil visual Waste Land Yessica York