Discourse, Bind 32,Oplag 22010 |
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Side 219
... Children of Men : in their different ways , Michel- angelo's La Pietà , Picasso's Guernica , and the childless mothers who weep for the film's Baby Diego all mesh with the sad sterility and motherly grief that echo through T. S. Eliot's ...
... Children of Men : in their different ways , Michel- angelo's La Pietà , Picasso's Guernica , and the childless mothers who weep for the film's Baby Diego all mesh with the sad sterility and motherly grief that echo through T. S. Eliot's ...
Side 229
... Children of Men . Mitchell insists that “ the political task of visual culture is to perform critique without the comfort of iconoclasm . " In this respect , T. S. Eliot's modernist vision of the future goes only so far : as Mark Erwin ...
... Children of Men . Mitchell insists that “ the political task of visual culture is to perform critique without the comfort of iconoclasm . " In this respect , T. S. Eliot's modernist vision of the future goes only so far : as Mark Erwin ...
Side 230
... Children of Men will likely be remembered as the definitive film of the postmodern condition precisely because of its critical melding of the political and the aesthetic . I conclude by repeating that the key to understanding Children ...
... Children of Men will likely be remembered as the definitive film of the postmodern condition precisely because of its critical melding of the political and the aesthetic . I conclude by repeating that the key to understanding Children ...
Indhold
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Copyright | |
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aesthetic Alfonso Cuarón American Amores Perros argues Asian audiences Barney's Benthien body Brooks camera characters Children Children of Men contemporary context CREMASTER critical critique Cruz Cruz's Cuarón's cultural Deleuze Derrida digital art digital image Discourse dramatic dystopian Eliot's essay ethical experience figure film film's filmic Foucault Freud function Gary Gilmore Gilles Deleuze Giroux Gledhill global Hansen historical huella and Perfume human Ibid ideas identity Imagination internal limit Iwamura Kwai Chang Caine maître d Matthew Barney Mavor melo melodrama melodramatic mode Mexican Mexico modern moral mother narrative objects Oriental Monk Perfume de Violeta political postmodern problem produced Prosthetic Head queer quotation rape reality Reas representation Sade Sade's scene screen shots Silvano Sin dejar huella Slavoj Žižek social sociopolitical space specific spiritual Stelarc Stella Dallas suffering symbolic Theo theory tion touch trans Transgression University Press utopia viewer virtual virtue and evil visual Waste Land Yessica York