Discourse, Bind 28,Oplag 2–32006 |
Fra bogen
Resultater 1-3 af 40
Side 82
... turning to philosophical treatises on psychology and aesthetics in order to develop a systematic , if not scientific approach to the understanding of literature.12 While it may be tempting to regard Sōseki's “ turn to theory " as a ...
... turning to philosophical treatises on psychology and aesthetics in order to develop a systematic , if not scientific approach to the understanding of literature.12 While it may be tempting to regard Sōseki's “ turn to theory " as a ...
Side 181
... turn produces the notion of " sticky rice , " Asians who date only Asians . Leong observes that the term has only specific resonance within the " rice and potato " communities because “ in Asian countries where Asians are the ...
... turn produces the notion of " sticky rice , " Asians who date only Asians . Leong observes that the term has only specific resonance within the " rice and potato " communities because “ in Asian countries where Asians are the ...
Side 210
... turn and thus become the politics of culture ( Kulturpolitik ) . ( AWP 116 ; 75-76 ) While Heidegger drops the question of the " essence " of culture at this point , what he may be thinking here is that , insofar as culture arises only ...
... turn and thus become the politics of culture ( Kulturpolitik ) . ( AWP 116 ; 75-76 ) While Heidegger drops the question of the " essence " of culture at this point , what he may be thinking here is that , insofar as culture arises only ...
Indhold
Special Effects in Martin Arnolds and Peter Tscherkasskys Cinema | 28 |
Two Readings | 51 |
Reading Natsume | 78 |
Copyright | |
6 andre sektioner vises ikke
Andre udgaver - Se alle
Almindelige termer og sætninger
Adrian Piper American Andy Hardy argues Arnold's Asian audience avant-garde avant-garde film become body boots Bungakuron Butler Caucasian Chinese cinematograph concept critical critique death deconstruction Deleuze Derrida desire dialectical discourse Don Justo Dream ence English essay essence experience film industry film's filmmakers finitude Frame cap genre ghost Gilles Deleuze Giosuè global Guido Hegel Heidegger Heidegger's Historias mínimas Hollywood Hong Kong cinema Hong Kong films Ibid identity Jacques Derrida Judith Butler Korean cinema Korean film language Levinas literature living Malacara Marty Marty's metaphor metaphysics modern Monty movement Mythic narrative Natsume Sōseki object ontological Outer Space philosophy Piper political possibility present question racial relationship renvois representation rice and potato rice queen Robert Zemeckis San Julián scene sense sexual social Sōseki spectators specter spectrality story sub-iectum theory thinking thought tion Tokyo trans transvaluation Tscherkassky ture University Press viewer visual World Picture writes York