Discourse, Bind 28,Oplag 2–32006 |
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Side 19
... things and people are always forced to conceal them- selves , have to conceal themselves when they begin . What else ... thing never appears at the outset but in the middle , in the course of its development when its strength is assured ...
... things and people are always forced to conceal them- selves , have to conceal themselves when they begin . What else ... thing never appears at the outset but in the middle , in the course of its development when its strength is assured ...
Side 72
... thing called " Marty , " without the additional subjective component of vision supplied by the camera . Subjectivity ... things ” ( ibid . , 22-23 ) . Thus the camera travels , so to speak , across the differences of what it shoots or ...
... thing called " Marty , " without the additional subjective component of vision supplied by the camera . Subjectivity ... things ” ( ibid . , 22-23 ) . Thus the camera travels , so to speak , across the differences of what it shoots or ...
Side 73
... things , to put perception into matter , so that any point whatsoever in space itself perceives all the points on which it acts , or which act on it however far these actions and reac- tions extend " ( ibid . , 83 ) . The film camera ...
... things , to put perception into matter , so that any point whatsoever in space itself perceives all the points on which it acts , or which act on it however far these actions and reac- tions extend " ( ibid . , 83 ) . The film camera ...
Indhold
Special Effects in Martin Arnolds and Peter Tscherkasskys Cinema | 28 |
Two Readings | 51 |
Reading Natsume | 78 |
Copyright | |
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Adrian Piper American Andy Hardy argues Arnold's Asian audience avant-garde avant-garde film become body boots Bungakuron Butler Caucasian Chinese cinematograph concept critical critique death deconstruction Deleuze Derrida desire dialectical discourse Don Justo Dream ence English essay essence experience film industry film's filmmakers finitude Frame cap genre ghost Gilles Deleuze Giosuè global Guido Hegel Heidegger Heidegger's Historias mínimas Hollywood Hong Kong cinema Hong Kong films Ibid identity Jacques Derrida Judith Butler Korean cinema Korean film language Levinas literature living Malacara Marty Marty's metaphor metaphysics modern Monty movement Mythic narrative Natsume Sōseki object ontological Outer Space philosophy Piper political possibility present question racial relationship renvois representation rice and potato rice queen Robert Zemeckis San Julián scene sense sexual social Sōseki spectators specter spectrality story sub-iectum theory thinking thought tion Tokyo trans transvaluation Tscherkassky ture University Press viewer visual World Picture writes York