Discourse, Bind 28,Oplag 2–32006 |
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Side 29
... Space exhibits no interest in brokering the same obscene contract in no way offers spectators relief . Tscherkassky has described his idea for Outer Space as being to " make a film in which the filmic material would permeate the mar ...
... Space exhibits no interest in brokering the same obscene contract in no way offers spectators relief . Tscherkassky has described his idea for Outer Space as being to " make a film in which the filmic material would permeate the mar ...
Side 44
Fig . 3. Complexity and indeterminacy in Outer Space ( copy- right sixpackfilms ) . In Outer Space and Dream Work , the critical work of analysis begins , in fact , with the intensification of the sensory experience of cinema . This ...
Fig . 3. Complexity and indeterminacy in Outer Space ( copy- right sixpackfilms ) . In Outer Space and Dream Work , the critical work of analysis begins , in fact , with the intensification of the sensory experience of cinema . This ...
Side 150
... space and time in which these two cease to be mappable and calculable backdrops for human planning and instead are revealed to be fully dynamic , evolving and interactive components of any situation . In this sense , both characters are ...
... space and time in which these two cease to be mappable and calculable backdrops for human planning and instead are revealed to be fully dynamic , evolving and interactive components of any situation . In this sense , both characters are ...
Indhold
Special Effects in Martin Arnolds and Peter Tscherkasskys Cinema | 28 |
Two Readings | 51 |
Reading Natsume | 78 |
Copyright | |
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Adrian Piper American Andy Hardy argues Arnold's Asian audience avant-garde avant-garde film become body boots Bungakuron Butler Caucasian Chinese cinematograph concept critical critique death deconstruction Deleuze Derrida desire dialectical discourse Don Justo Dream ence English essay essence experience film industry film's filmmakers finitude Frame cap genre ghost Gilles Deleuze Giosuè global Guido Hegel Heidegger Heidegger's Historias mínimas Hollywood Hong Kong cinema Hong Kong films Ibid identity Jacques Derrida Judith Butler Korean cinema Korean film language Levinas literature living Malacara Marty Marty's metaphor metaphysics modern Monty movement Mythic narrative Natsume Sōseki object ontological Outer Space philosophy Piper political possibility present question racial relationship renvois representation rice and potato rice queen Robert Zemeckis San Julián scene sense sexual social Sōseki spectators specter spectrality story sub-iectum theory thinking thought tion Tokyo trans transvaluation Tscherkassky ture University Press viewer visual World Picture writes York