Discourse, Bind 28,Oplag 2–32006 |
Fra bogen
Resultater 1-3 af 35
Side 22
... position " of the cinema's first regime , to the world that has become “ inhibition . . . internal collapse and fossilization . ” 38 It is as if cin- ema must pass to a higher dimension through this death in order to think life from a ...
... position " of the cinema's first regime , to the world that has become “ inhibition . . . internal collapse and fossilization . ” 38 It is as if cin- ema must pass to a higher dimension through this death in order to think life from a ...
Side 131
... position on the roof forces Don Justo to adopt the physi- cal posture of a child or an acolyte listening to his father or his master instruct him in the reality of the world . This dynamic of power will be further reinforced in a scene ...
... position on the roof forces Don Justo to adopt the physi- cal posture of a child or an acolyte listening to his father or his master instruct him in the reality of the world . This dynamic of power will be further reinforced in a scene ...
Side 202
... position- ing characteristic of modernity and its several related types of thinking ( technological , scientific , cultural and so forth ) . Heideg- ger characterises this move , characteristically enough , firstly in terms of the idea ...
... position- ing characteristic of modernity and its several related types of thinking ( technological , scientific , cultural and so forth ) . Heideg- ger characterises this move , characteristically enough , firstly in terms of the idea ...
Indhold
Special Effects in Martin Arnolds and Peter Tscherkasskys Cinema | 28 |
Two Readings | 51 |
Reading Natsume | 78 |
Copyright | |
6 andre sektioner vises ikke
Andre udgaver - Se alle
Almindelige termer og sætninger
Adrian Piper American Andy Hardy argues Arnold's Asian audience avant-garde avant-garde film become body boots Bungakuron Butler Caucasian Chinese cinematograph concept critical critique death deconstruction Deleuze Derrida desire dialectical discourse Don Justo Dream ence English essay essence experience film industry film's filmmakers finitude Frame cap genre ghost Gilles Deleuze Giosuè global Guido Hegel Heidegger Heidegger's Historias mínimas Hollywood Hong Kong cinema Hong Kong films Ibid identity Jacques Derrida Judith Butler Korean cinema Korean film language Levinas literature living Malacara Marty Marty's metaphor metaphysics modern Monty movement Mythic narrative Natsume Sōseki object ontological Outer Space philosophy Piper political possibility present question racial relationship renvois representation rice and potato rice queen Robert Zemeckis San Julián scene sense sexual social Sōseki spectators specter spectrality story sub-iectum theory thinking thought tion Tokyo trans transvaluation Tscherkassky ture University Press viewer visual World Picture writes York